England -- Fiction; Patent medicines -- Marketing -- Fiction; Pharmaceutical industry -- Fiction; Satire; Science fiction
I felt a pipe was becoming after all, and that lit, I gave him a
favourable sketch of my career.
“Science! And you’ve worked like that! While I’ve been potting round
doing odd jobs for stone-masons and people, and trying to get to
sculpture. I’ve a sort of feeling that the chisel—I began with
painting, Ponderevo, and found I was colour-blind, colour-blind enough
to stop it. I’ve drawn about and thought about—thought more
particularly. I give myself three days a week as an art student, and
the rest of the time I’ve a sort of trade that keeps me. And we’re
still in the beginning of things, young men starting. Do you remember
the old times at Goudhurst, our doll’s-house island, the Retreat of the
Ten Thousand Young Holmes and the rabbits, eh? It’s surprising, if you
think of it, to find we are still young. And we used to talk of what we
would be, and we used to talk of love! I suppose you know all about
that now, Ponderevo?”
I finished and hesitated on some vague foolish lie, “No,” I said, a
little ashamed of the truth. “Do you? I’ve been too busy.”
“I’m just beginning—just as we were then. Things happen.”
He sucked at his pipe for a space and stared at the plaster cast of a
flayed hand that hung on the wall.
“The fact is, Ponderevo, I’m beginning to find life a most
extraordinary queer set-out; the things that pull one, the things that
don’t. The wants—This business of sex. It’s a net. No end to it, no way
out of it, no sense in it. There are times when women take possession
of me, when my mind is like a painted ceiling at Hampton Court with the
pride of the flesh sprawling all over it. _Why>?_... And then again
sometimes when I have to encounter a woman, I am overwhelmed by a
terror of tantalising boredom—I fly, I hide, I do anything. You’ve got
your scientific explanations perhaps; what’s Nature and the universe up
to in that matter?”
“It’s her way, I gather, of securing the continuity of the species.”
“But it doesn’t,” said Ewart. “That’s just it! No. I have succumbed
to—dissipation—down the hill there. Euston Road way. And it was damned
ugly and mean, and I hate having done it. And the continuity of the
species—Lord!... And why does Nature make a man so infernally ready for
drinks? There’s no sense in that anyhow.” He sat up in bed, to put this
question with the greater earnestness. “And why has she given me a most
violent desire towards sculpture and an equally violent desire to leave
off work directly I begin it, eh?... Let’s have some more coffee. I put
it to you, these things puzzle me, Ponderevo. They dishearten me. They
keep me in bed.”
He had an air of having saved up these difficulties for me for some
time. He sat with his chin almost touching his knees, sucking at his
pipe.
“That’s what I mean,” he went on, “when I say life is getting on to me
as extraordinarily queer, I don’t see my game, nor why I was invited.
And I don’t make anything of the world outside either. What do _you_
make of it?”
Public-domain text, read in full here on John Shaqi.
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