Then came my uncle’s amazing telegram, his answer to my hostile note: “_Come to me at once you are wanted three hundred a year certain tono-bungay._” “By Jove!” I cried, “of course! “It’s something—. A patent-medicine! I wonder what he wants with me.” In his Napoleonic way my uncle had omitted to give an address. His telegram had been handed in at Farringdon Road, and after complex meditations I replied to Ponderevo, Farringdon Road, trusting to the rarity of our surname to reach him. “Where are you?” I asked. His reply came promptly: “192A, Raggett Street, E.C.” The next day I took an unsanctioned holiday after the morning’s lecture. I discovered my uncle in a wonderfully new silk hat—oh, a splendid hat! with a rolling brim that went beyond the common fashion. It was decidedly too big for him—that was its only fault. It was stuck on the back of his head, and he was in a white waistcoat and shirt sleeves. He welcomed me with a forgetfulness of my bitter satire and my hostile abstinence that was almost divine. His glasses fell off at the sight of me. His round inexpressive eyes shone brightly. He held out his plump short hand. “Here we are, George! What did I tell you? Needn’t whisper it now, my boy. Shout it—_loud!_ spread it about! Tell every one! Tono—TONO—, TONO-BUNGAY!” Raggett Street, you must understand, was a thoroughfare over which some one had distributed large quantities of cabbage stumps and leaves. It opened out of the upper end of Farringdon Street, and 192A was a shop with the plate-glass front coloured chocolate, on which several of the same bills I had read upon the hoardings had been stuck. The floor was covered by street mud that had been brought in on dirty boots, and three energetic young men of the hooligan type, in neck-wraps and caps, were packing wooden cases with papered-up bottles, amidst much straw and confusion. The counter was littered with these same swathed bottles, of a pattern then novel but now amazingly familiar in the world, the blue paper with the coruscating figure of a genially nude giant, and the printed directions of how under practically all circumstances to take Tono-Bungay. Beyond the counter on one side opened a staircase down which I seem to remember a girl descending with a further consignment of bottles, and the rest of the background was a high partition, also chocolate, with “Temporary Laboratory” inscribed upon it in white letters, and over a door that pierced it, “Office.” Here I rapped, inaudible amid much hammering, and then entered unanswered to find my uncle, dressed as I have described, one hand gripping a sheath of letters, and the other scratching his head as he dictated to one of three toiling typewriter girls. Behind him was a further partition and a door inscribed “ABSOLUTELY PRIVATE—NO ADMISSION,” thereon. This partition was of wood painted the universal chocolate, up to about eight feet from the ground, and then of glass.