Too Old for Dolls: A NovelLudovici, Anthony M. (Anthony Mario)
General
Too Old for Dolls: A Novel
Ludovici, Anthony M. (Anthony Mario)
England -- Fiction; Young women -- Fiction
The event occurred in Mrs. Delarayne's bedroom. Cleopatra, then a girl
of twenty-two, was discussing with her mother the details of the Easter
holiday programme and with her back to the door and her face to the
window, was as completely unconscious of the surprise awaiting her as
the bedroom furniture itself.
All at once the door opened. At first Cleopatra did not turn round, and
it was only when the exceptionally fulsome manner of her mother's
outburst of joy awakened her suspicions that at last she looked round
and was confronted by the vision.
It was Baby--undoubtedly it was Baby; but certainly not the awkward
child of a month, of a week, of a day, or even an hour ago. It was Baby
transformed, nay transfigured, as if by magic. Whether the change had
been gradual and imperceptible, or as sudden as Cleopatra imagined it to
have been, the elder girl did not stop to think; she simply allowed her
eyes to dwell almost spellbound upon the startling apparition facing
her, and as quickly as a dart, before she was able to arrest it, a pang,
a pain, or a convulsion of some sort, was communicated to her heart, the
meaning of which she did not dare at first to analyse.
For Leonetta, from a Mohawk, from a sexless savage with tangled hair and
blotchy features, from an angular filly devoid of grace and charm, had
by a stroke of the wand become metamorphosed into a remarkably
attractive young woman. It was startling: but it was also undeniable. It
was not the vernal frock, of that Cleopatra was convinced; although Mrs.
Delarayne had concentrated chiefly upon this feature in her transports
of joy over her younger daughter's dramatic and spontaneous assumption
of womanly beauty. Had it been only the frock Cleopatra was intelligent
enough to have known that the pang she had felt would have been left
unexplained. No, it was more fundamental than that. All the dress had
accomplished was to set an acute accent over a development which, though
already at its penultimate stage, had so far escaped the notice of
Cleopatra and her mother. The picture had been present the day before,
but it had not been quite perfectly focussed. The new frock had focussed
it sharply.
Cleopatra remembered having asked herself whether Leonetta could be
aware of the change that had come over her. But plainly her behaviour
had dispelled this suspicion. Leonetta had behaved on that memorable
occasion exactly as she had done throughout the previous week. Not even
a sign of enhanced self-possession or assurance had betrayed the fact of
an inward change, and somehow this unconsciousness of her accession of
power only seemed to Cleopatra to make that power more formidable.
Public-domain text, read in full here on John Shaqi.
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