Too Old for Dolls: A NovelLudovici, Anthony M. (Anthony Mario)
General
Too Old for Dolls: A Novel
Ludovici, Anthony M. (Anthony Mario)
England -- Fiction; Young women -- Fiction
Meanwhile, the subject of this conversation, ensconced comfortably in
the corner of a first-class carriage, was speeding rapidly towards
London.
Looking remarkably at her ease in a smart tailor-made frock of navy
serge, silk stockings, suede shoes, and a perfect summer hat trimmed
with bright cherries as red as her lips, she sat amid a farraginous
medley of newspapers, small parcels, and shiny leather traps, and
presented an attractive picture of a flourishing schoolgirl of
seventeen,--careless, mischievous, and keenly, though discreetly,
interested in everything about her;--but, perhaps a little too healthy,
and certainly too beautiful, to be quite typical either of the class or
of the kind of school from which she hailed.
Her large dark eyes, veiled by unusually long lashes, looked sharply at
you and then quickly turned away, with that air of mystery and secrecy,
and love of secrets at all costs--even mock secrets--peculiar to the
young virgin of all climes. Occasionally in glancing away they would
half close in a thoughtful smile, which, to the uninitiated, unaware of
the irrepressible spirits of their owner, was as unaccountable as it was
provoking.
There was an air of childhood still clinging, as if from habit alone, to
the outward insignia of maturity, in this mercurial, magnetic, and
undaunted young person; and in her malicious elfish eyes could be read
the solemn determination to force every possible claim that her double
advantage, as child and adult, could, according to the occasion, uphold.
Her thick dark hair did not hang down her back in the rich spiral curl
which is now becoming so common among schoolgirls; for that it was too
plentiful, too troublesomely luxuriant. It hung like heavy bronze in a
thick stiff plait--a badge both of her robust youth and the redundant
richness of her blood,--and at its extremity it was tied with a broad
ribbon of black silk. Beneath her hat, bold festoons of hair reached
down almost to her eyebrows, and to these portions of her coiffure she
constantly applied her soft shapely sun-tanned fingers, as if to
reassure herself that they were keeping their proper position.
The roguish expression of her face was partly due to pure health and
partly to wanton spirits, and her features possessed that exceptional
animation which, even in the simple process of eating a fondant,
produced the impression of extreme mobility.
Public-domain text, read in full here on John Shaqi.
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