"'My son,' returned the apparition, with a meaning look, 'do not seek to
know too much about the mystery of William Shakespeare. You know whence
he sprang, how he lived and what he achieved; let my unguarded words of
a moment since be the seed of suggestion which planted in the soil of
your brain may sprout and blossom forth into the flowers of certain
knowledge. It is not for me to let a mortal like you into the confidence
of the Fates; suffice it that _I_ offer you immortality and present
happiness. Think it over: I will return to-morrow.'
"Before I could reply," continued the spirit, "he had vanished. The
light of my lamp returned of its own volition, and but for the odour of
sulphur which still clung to the hangings of the room I should have
supposed that I had been dreaming.
"Utterly wearied by the excitement of my strange experience, I threw
myself down upon my couch, and fell into a deep sleep from which I did
not awake for sixteen hours, in consequence of which a whole day was
practically gone out of my life.
"Darkness was closing in upon me as I opened my eyes, and as it grew
more dense I could see taking shape in the chair by my table my visitor
of the night before, more pallid and sulphurous than ever.
"'Well?' he said, as I opened my eyes.
"'No!' I answered shortly, 'I am not well. I might be much better if
you'd confine yourself to the cemetery to which you belong.'
"'Reparteedious as ever!' he retorted.
"'I don't know the word,' I replied; 'it belongs to neither a dead nor a
live language.'
"'But it's a good word, nevertheless,' observed the ghost quietly,' and
I advise you to think of it whenever you are inclined to indulge in
stupid repartee. It may help you in your career,--but I have come for an
answer to my proposition.'"
"He was right about reparteedious," said Hopkins, interrupting the
spirit's story; "that's a good word, and unless you have it copyrighted
I think I'll open the doors of my vocabulary and admit it to the charmed
circle of my verbiage."
"No, I have no copyright on it," replied the spirit, gazing at Hopkins
with as sad an expression as could possibly be assumed, considering the
imperturbability of Aunt Sallie's countenance. "You may have it for your
vocabulary, Hopkins, but if you will take a little well-meant advice you
had better be very careful about your word collection. Your frequent and
flippant interruptions of my sad story lead me to fear that you are
overworking your vocabulary, which is a very dangerous thing for a young
man of your age and intelligence to do.
Public-domain text, read in full here on John Shaqi.
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