For awhile, though, Mildred cost the firm a lot more money than her
salary, if you reckon up as worth anything the time a lot of two-by-four
ink-slingers spent makin' goo-goo eyes at her. It was a losin' game all
around. Mildred didn't seem to be pinin' for any such honors, and after
they got well acquainted with the fact that she wouldn't stand for lunch
invites, or bids to the theater, and didn't want to be walked home with
by a perfect gent, they let up on that foolishness. It leaves 'em dizzy,
though. There's pinheads on our gen'ral office staff who believes they
never missed breakin' a heart before, and they can't figure out just
what's the matter with the combination.
There was others, too, that couldn't place Mildred, until some one hints
that maybe she's a sure enough swell whose folks had gone broke, and
that she's picked out a typewriter job as a sort of trapdoor that would
let her down out of sight and keep the meal ticket renewed.
After that Mildred is as much of a myst'ry as why folks live in
Brooklyn. We was all wise to the main proposition, though, and it was
funny to hear 'em all sayin' that they'd known it right along. Kind of
set us up some, too, havin' a real ex-ice cutter like her right on the
floor with us. All the other key pounders, that had been givin' her the
stary eye at first, flops around and uses the sugar shaker. There wasn't
anything they wouldn't do for her, and they takes turns holdin' her
jacket, so's to get a peek at the trademark on the inside of the collar.
But Piddie is the most pleased of any. He thinks he's right to home
among carriage folks, and every time she comes near he bows and scrapes
and begins to shoot off the "Aw, I'm suah's" and the "Don'tcher know's,"
until you'd think he was talkin' through a mouthful of hot breakfast
food.
"Chee!" says I to him. "You act like you thought this was a five o'clock
tea."
"I trust," says he, "I know a lady when I see one, and that I know how
to treat her too."
"That's so," says I. "Too bad you wa'n't on the stage, Piddie, in one of
them 'Me lu'd, the carriage waits' parts."
That gives me a cue, and the next time she sends me for supplies I says
to him, "Mr. Piddie," says I, "the Lady Mildred presents her compliments
and says she wants a new paste brush."
Gets him wild, that does; so I sticks to it. The others hears it and
picks it up too, and she wa'n't called anything but Lady Mildred from
that on. First thing I knew I'd said it to her face; but she never so
much as looks surprised. You'd thought she'd been called Lady Mildred
all her life.
"Who knows?" says Piddie. "Perhaps she has."
Public-domain text, read in full here on John Shaqi.
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