Humorous stories; New York (N.Y.) -- Fiction; Private secretaries -- Fiction; World War, 1914-1918 -- United States -- Fiction
Miss Stribble glances accusin' at paw and maw. "Oh, they've been
roastin' me, have they?" she demands. "Well, I can't help it. What they
want to know is how much I'm gettin' so I'll have to give up more. But
it don't work. See! I pay my board--good board, at that--and I'm not
goin' to have paw snoopin' around my place tryin' to queer me. Let him
get out and rustle for himself."
With that Mame sheds the throw-scarf and tosses her velvet tam on the
table.
"I'm so sorry," says Vee. "I didn't mean to interfere at all. And I've
no doubt you have a perfectly good situation."
"It's good enough," says Mame, "until I strike something better."
"What a cunning little hat!" says Vee, pickin' up the tam. "Such a lot
of style to it, too."
"Think so?" says Mame. "Well, I built it myself."
"Really!" says Vee. "Why, you must be very clever. I wish I could do
things like that."
Trust Vee for smoothin' down rumpled feathers when she wants to. Inside
of two minutes she had Mame smilin' grateful and holdin' her hand as she
says good-by.
"Poor girl!" says Vee, as we gets to the street. "I don't blame her for
being dissatisfied with such a father as that. And it's just awful the
way they talk about her. I'm going to see if I can't do something for
her at the shop."
"Eh?" says I. "She didn't tell you where she was working."
"She didn't need to," says Vee. "The name was in the hat lining--the
Maison Noir."
"Say, you're some grand little sleuth yourself, ain't you?" says I.
"And that explains," Vee goes on, "why I happened to remember the
Stribbles today. I must have seen her there. Yes, I'm sure I did--that
pale gold hair and the old ivory complexion are too rare to----"
"Why!" I breaks in, "that's the description Crosby Rhodes gave me of
this show window charmer of his."
"Was it?" says Vee. "Then perhaps----"
"But what could she have been doing, posin' in the window?" I asks.
"That's what gets me."
It got Vee, too. "Anyway," says she, "you must meet that Mr. Rhodes
tomorrow and tell him what you've discovered. He's rather a nice chap,
isn't he?"
"Oh, he's all right, I guess," says I. "A bit soft above the ears,
maybe, but out in the tall timber I expect he passes for a solid
citizen. I don't just see how I'm going to help him out much, though."
"I'll tell you," says Vee. "In the morning I will 'phone to Madame
Maurice that I want you to see the frock I've picked out, and you can
take Mr. Rhodes in with you."
So that's the way we worked it. I calls up Crosby, makes the date, and
we meets on the corner at twelve-thirty. He's more or less excited.
"Then you think you know who she is?" he asks.
"If you're a good describer," says I, "there's a chance that I do. But
listen: suppose she's kind of out of your class--a girl who's been
brought up in a basement, say, with a janitor for a father?"
"What do I care who her father is?" says Crosby. "I was brought up in a
lumber camp myself. All I ask is a chance to meet her."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account