"Oh, Meester Gummidge," says he. "He bane new tenant on second floor, yes? Sublet, furnished, two days ago yet. Nice peoples." Well, at that I stares at Vee and she stares back. "Whaddye mean, nice?" I demands. "Swell peoples," says the Swede, soundin' the "v" in swell. "Second floor." "There must be some mistake," says Vee, "but I suppose we might as well go up and see." So up we trails to the elevator, me with the suitcase in one hand and the basket in the other, like a Santa Claus who has lost his way. "Mr. Henry Grummidge?" says the neat elevator girl. "Yes'm. Second." And in another minute Vee was being greeted in the dark hallway and folded in impetuous by Ma Grummidge herself. But as we are towed into the white and gold living room, where half a dozen pink-shaded electric bulbs are blazin', we could see that it wasn't exactly the same Mrs. Gummidge we'd known. She's about the same build, and she has the same number of chins. Also there's the old familiar chuckly laugh. But that's as far as it goes. This Mrs. Gummidge is attired--that's the proper word, I expect--in a black satin' evenin' dress that fits her like she'd been cast into it. Also her mop of brownish hair has been done up neat and artistic, and with the turquoise necklace danglin' down to her waist, and the marquise dinner ring flashin' on her right hand, she's more or less impressive to behold. "Why, Mrs. Gummidge!" gasps Vee. "I just thought that's what you'd say," says she. "But wait 'till you've seen Rowena. Come, dearie; here's comp'ny." She was dead right. It was a case of waitin' to see Rowena, and we held our breaths while she rustled in. Say, who'd have thought that a few clothes could make such a difference? For instead of the big sloppy young female who used to slouch, gigglin' around the basement who should breeze in but a zippy young lady, a bit heavy about the shoulders maybe for that flimsy style of costume, but more or less stunning, for all that. Rowena had bloomed out. In fact, she had the lilies of the field lookin' like crepe paper imitations. And we'd no sooner caught our breath after inspectin' her than Horatio makes an entrance, and we behold the youngster whose usual costume was an old gray sweater and a pair of baggy pants now sportin' a suit of young hick raiment that any shimmy hound on Times Square would have been glad to own. Slit pockets? Oh my, yes; and a soft collar that matched his lilac striped shirt, and cuff links and socks that toned in with both, and a Chow dog on a leather leash. Then Pa Gummidge, shaved and slicked up as to face and hair, his bowlegs in a pair of striped weddin' trousers and the rest of him draped in a frock coat and a fancy vest, with gold eyeglasses hung on him by a black ribbon. He's puffin' away at a Cassadora cigar that must have measured seven inches over-all when it left the box. In fact, the Gummidges are displayin' all the usual marks of wealth and refinement.