Touch and Go: A Play in Three ActsLawrence, D. H. (David Herbert)
General
Touch and Go: A Play in Three Acts
Lawrence, D. H. (David Herbert)
English drama
People, ah God! Not mannequins. Not lords nor proletariats nor bishops
nor husbands nor co-respondents nor virgins nor adultresses nor uncles
nor noses. Not even white rabbits nor presidents. People.
Men who are somebody, not men who are something. Men who HAPPEN to be
bishops or co-respondents, women who happen to be chaste, just as they
happen to freckle, because it's one of their innumerable odd qualities.
Even men who happen, by the way, to have long noses. But not noses on
two legs, not burly pairs of gaiters, stuffed and voluble, not
white meringues of chastity, not incarnations of co-respondence. Not
proletariats, petitioners, president's, noses, bits of fluff. Heavens,
what an assortment of bits! And aren't we sick of them!
People, I say. And after all, it's saying something. It's harder to be
a human being than to be a president or a bit of fluff. You can be a
president, or a bit of fluff, or even a nose, by clockwork. Given
a role, a PART, you can play it by clockwork. But you can't have a
clockwork human being.
We're dead sick of parts. It's no use your protesting that there is a
man behind the nose. We can't see him, and he can't see himself. Nothing
but nose. Neither can you make us believe there is a man inside the
gaiters. He's never showed his head yet.
It may be, in real life, the gaiters wear the man, as the nose wears
Cyrano. It may be Sir Auckland Geddes and Mr. J. H. Thomas are only
clippings from the illustrated press. It may be that a miner is a
complicated machine for cutting coal and voting on a ballot-paper. It
may be that coal-owners are like the _petit bleu_ arrangement, a system
of vacuum tubes for whooshing Bradburys about from one to the other.
It may be that everybody delights in bits, in parts, that the public
insists on noses, gaiters, white rabbits, bits of fluff, automata and
gewgaws. If they do, then let 'em. Chu Chin Chow for ever!
In spite of them all: A People's Theatre. A People's Theatre shows men,
and not parts. Not bits, nor bundles of bits. A whole bunch of roles
tied into one won't make an individual. Though gaiters perish, we will
have men.
Although most miners may be pick-cum-shovel-cum-ballot implements,
and no more, still, among miners there must be two or three living
individuals. The same among the masters. The majority are suction-tubes
for Bradburys. But is this Sodom of Industrialism there are surely ten
men, all told. My poor little withered grain of mustard seed, I am half
afraid to take you across to the seed-testing department!
And if there are men, there is A People's Theatre.
Public-domain text, read in full here on John Shaqi.
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