Touch and Go: A Play in Three ActsLawrence, D. H. (David Herbert)
General
Touch and Go: A Play in Three Acts
Lawrence, D. H. (David Herbert)
English drama
GERALD. Chaperone ME, mother! Do you think I need it?
MRS. BARLOW. If you do, you won't get it. I've come too late to be of
any use in that way, as far as I hear.
GERALD. What have you heard, mother?
MRS. BARLOW. I heard Oliver and this young woman talking.
GERALD. Oh, did you? When? What did they say?
MRS. BARLOW. Something about married in the sight of heaven, but
couldn't keep it up on earth.
GERALD. I don't understand.
MRS. BARLOW. That you and this young woman were married in the sight of
heaven, or through eternity, or something similar, but that you couldn't
make up your minds to it on earth.
GERALD. Really! That's very curious, mother.
MRS. BARLOW. Very common occurrence, I believe.
GERALD. Yes, so it is. But I don't think you heard quite right, dear.
There seems to be some lingering uneasiness in heaven, as a matter of
fact. We'd quite made up our minds to live apart on earth. But where did
you hear this, mother?
MRS. BARLOW. I heard it outside the studio door this morning.
GERALD. You mean you happened to be on one side of the door while Oliver
and Anabel were talking on the other?
MRS. BARLOW. You'd make a detective, Gerald--you're so good at putting
two and two together. I listened till I'd heard as much as I wanted.
I'm not sure I didn't come down here hoping to hear another conversation
going on.
GERALD. Listen outside the door, darling?
MRS. BARLOW. There'd be nothing to listen to if I were inside.
GERALD. It isn't usually done, you know.
MRS. BARLOW. I listen outside doors when I have occasion to be
interested--which isn't often, unfortunately for me.
GERALD. But I've a queer feeling that you have a permanent occasion to
be interested in me. I only half like it.
MRS. BARLOW. It's surprising how uninteresting you are, Gerald, for a
man of your years. I have not had occasion to listen outside a door, for
you, no, not for a great while, believe me.
GERALD. I believe you implicitly, darling. But do you happen to know
me through and through, and in and out, all my past and present doings,
mother? Have you a secret access to my room, and a spy-hole, and all
those things? This is uncomfortably thrilling. You take on a new lustre.
MRS. BARLOW. Your memoirs wouldn't make you famous, my son.
GERALD. Infamous, dear?
MRS. BARLOW. Good heavens, no! What a lot you expect from your very mild
sins! You and this young woman have lived together, then?
GERALD. Don't say "this young woman," mother dear--it's slightly vulgar.
It isn't for me to compromise Anabel by admitting such a thing, you
know.
MRS. BARLOW. Do you ask me to call her Anabel? I won't.
GERALD. Then say "this person," mother. It's more becoming.
MRS. BARLOW. I didn't come to speak to you, Gerald. I know you. I came
to speak to this young woman.
GERALD. "Person," mother.--Will you curtsey, Anabel? And I'll twist my
handkerchief. We shall make a Cruikshank drawing, if mother makes her
hair a little more slovenly.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account