Touch and Go: A Play in Three ActsLawrence, D. H. (David Herbert)
General
Touch and Go: A Play in Three Acts
Lawrence, D. H. (David Herbert)
English drama
GERALD. Not much.
ANABEL. Why?--You seem to dislike very easily.
GERALD. Oh, they all used to try to snub me, these old buffers. They
detest me like poison, because I am different from father.
ANABEL. I believe you enjoy being detested.
GERALD. I do. (Another clerk approaches--hesitates--stops.)
CLERK. Good evening, sir. Good evening, Mr. Barlow. Er--did you want
anybody at the office, sir? We're just closing.
GERALD. No, I didn't want anybody.
CLERK. Oh, no, sir. I see. Er--by the way, sir--er--I hope you don't
think this--er--bother about an increase--this strike threat--started in
the office?
GERALD. Where did it start?
CLERK. I should think it started--where it usually starts, Mr.
Barlow--among a few loud-mouthed people who think they can do as they
like with the men. They're only using the office men as a cry--They've
no interest in us. They want to show their power.--That's how it is,
sir.
GERALD. Oh, yes.
CLERK. We're powerless, if they like to make a cry out of us.
GERALD. Quite.
CLERK. We're as much put out about it as anybody.
GERALD. Of course.
CLERK. Yes--well--good night, sir. (Clerks draw near--there is a sound
of loud young voices and bicycle bells. Bicycles sweep past.)
CLERKS. Good night, sir.--Good night, sir.
GERALD. Good night.--They're very bucked to see me sitting here with
a woman--a young lady as they'll say. I guess your name will be flying
round to-morrow. They stop partly to have a good look at you. Do they
know you, do you think?
ANABEL. Sure.
CLERKS. Mr. Breffitt's just coming, sir.--Good night, sir.--Good night,
sir. (Another bicycle passes.)
ANABEL. The bicycles don't see us.--Isn't it rather hateful to be a
master? The attitude of them all is so ugly. I can quite see that it
makes you rather a bully.
GERALD. I suppose it does. (Figure of a large man approaches.)
BREFFITT. Oh--ah--it's Mr. Gerald!--I couldn't make out who it
was.--Were you coming up to the office, sir? Do you want me to go back
with you?
GERALD. No, thank you--I just wanted a word with you about this
agitation. It'll do just as well here. It's a pity it started--that the
office should have set it going, Breffitt.
BREFFITT. It's none of the office's doing, I think you'll find, Mr.
Gerald. The office men did nothing but ask for a just advance--at any
rate, time and prices being what they are, I consider it a fair advance.
If the men took it up, it's because they've got a set of loud-mouthed
blatherers and agitators among them like Job Arthur Freer, who deserve
to be hung--and hanging they'd get, if I could have the judging of them.
GERALD. Well--it's very unfortunate--because we can't give the clerks
their increase now, you know.
BREFFITT. Can't you?--can't you? I can't see that it would be anything
out of the way, if I say what I think.
GERALD. No. They won't get any increase now. It shouldn't have been
allowed to become a public cry with the colliers. We can't give in now.
BREFFITT. Have the Board decided that?
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account