Tour in England, Ireland, and France, in the years 1826, 1827, 1828 and 1829.: with remarks on the manners and customs of the inhabitants, and anecdotes of distiguished public characters. In a series of letters by a German Prince.Pückler-Muskau, Hermann, Fürst von
History
Tour in England, Ireland, and France, in the years 1826, 1827, 1828 and 1829.: with remarks on the manners and customs of the inhabitants, and anecdotes of distiguished public characters. In a series of letters by a German Prince.
Pückler-Muskau, Hermann, Fürst von
Great Britain -- Description and travel; Great Britain -- Social life and customs -- 19th century
From a considerable distance you see the dark mass of stone towering
above the primæval cedars, chestnuts, oaks and limes. It stands on the
rocks on the shore of the Avon, and rises to a perpendicular height of
two hundred feet above the level of the water. Two towers of different
forms overtop the building itself almost in an equal degree. A ruined
pier of a bridge, overhung with trees, stands in the middle of the
river, which becoming deeper just at the point where the building
begins, forms a foaming waterfall, and turns a mill, which appears only
like a low abutment of the castle. Going on, you lose sight of the
castle for awhile, and soon find yourself before a high embattled wall,
built of large blocks of stone covered by Time with moss and creeping
plants. Lofty iron gates slowly unfold to admit you to a deep hollow way
blasted in the rock, the stone walls of which are tapestried with the
most luxuriant vegetation. The carriage rolled with a heavy dull sound
along the smooth rock, which old oaks darkly overshadow. Suddenly, at a
turn of the way, the castle starts from the wood into broad open
daylight, resting on a soft grassy slope; and the large arch of the
entrance dwindles to the size of an insignificant doorway between the
two enormous towers, at the foot of which you now stand. A still greater
surprise now awaits you when you pass through the second iron gate into
the court-yard: it is almost impossible to imagine anything more
picturesque, and at the same time more imposing.
Public-domain text, read in full here on John Shaqi.
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