Let your fancy conjure up a space about twice as large as the interior of the Colosseum at Rome, and let it transport you into a forest of romantic luxuriance. You now overlook the large court, surrounded by mossy trees and majestic buildings, which, though of every variety of form, combine to create one sublime and connected whole, whose lines now shooting upwards, now falling off into the blue air, with the continually changing beauty of the green earth beneath, produce, not symmetry indeed, but that _higher harmony_, elsewhere proper to Nature's own works alone. The first glance at your feet falls on a broad simple carpet of turf, around which a softly winding gravel-walk leads to the entrance and exit of the gigantic edifice. Looking backwards, your eye rests on the two black towers, of which the oldest, called Guy's Tower, rears its head aloft in solitary threatening majesty, high above all the surrounding foliage, and looks as if cast in one mass of solid iron;--the other, built by Beauchamp, is half hidden by a pine and a chestnut, the noble growth of centuries. Broad-leaved ivy and vines climb along the walls, here twining around the tower, there shooting up to its very summit. On your left lie the inhabited part of the castle, and the chapel, ornamented with many lofty windows of various size and form; while the opposite side of the vast quadrangle, almost entirely without windows, presents only a mighty mass of embattled stone, broken by a few larches of colossal height, and huge arbutuses which have grown to a surprizing size in the shelter they have so long enjoyed. But the sublimest spectacle yet awaits you, when you raise your eyes straight before you. On this fourth side, the ground, which has sunk into a low bushy basin forming the court, and with which the buildings also descend for a considerable space, rises again in the form of a steep conical hill, along the sides of which climb the rugged walls of the castle. This hill, and the keep which crowns it, are thickly overgrown at the top with underwood, which only creeps round the foot of the towers and walls. Behind it, however, rise gigantic venerable trees, towering above all the rock-like structure. Their bare stems seem to float in upper air; while at the very summit of the building rises a daring bridge, set, as it were, on either side within trees; and as the clouds drift across the blue sky, the broadest and most brilliant masses of light break magically from under the towering arch and the dark coronet of trees.