Tour in England, Ireland, and France, in the years 1826, 1827, 1828 and 1829.: with remarks on the manners and customs of the inhabitants, and anecdotes of distiguished public characters. In a series of letters by a German Prince.Pückler-Muskau, Hermann, Fürst von
History
Tour in England, Ireland, and France, in the years 1826, 1827, 1828 and 1829.: with remarks on the manners and customs of the inhabitants, and anecdotes of distiguished public characters. In a series of letters by a German Prince.
Pückler-Muskau, Hermann, Fürst von
Great Britain -- Description and travel; Great Britain -- Social life and customs -- 19th century
The performance concluded with a little farce, for which the curtain was
drawn up, and in which Mathews again played alone. He filled seven or
eight different parts, exclusive of those of a dog and a child, which
were indeed personated by puppets, but which he barked and prattled, in
as masterly a manner as he spoke the others. At first he is a French
tutor, who is going to travel with a little lord ten years old, whom he
shuts into a guitar-case that he may save the fare of the diligence, and
at the same time charge it to the papa. At every stage he takes him out,
to give him air and make him say his lesson. He carries on the
conversation with infinite drollery, and surprising skill as a
ventriloquist. The boy's resistance to being shut up in his box
again,--the way in which his murmurs and complaints die away, like the
waltz in the Freischütz, till at length the lid is clapped to, and the
last tones come from the shut case like a faint echo,--are inconceivably
comic.
After many adventures which beset the diligence and its passengers, an
old maid (again Mathews) makes her appearance. She has a favourite
lapdog, which is not suffered to travel inside, but which she is trying
to smuggle in, and fixes her eye on the guitar-case as a fit
hiding-place for her darling. In her hurry to accomplish her purpose she
does not observe that the place is already occupied. But hardly has she
laid the case out of her hand, when the dog begins to growl and bark,
the boy to howl, and she to scream for help; which trio made the gallery
almost frantic with delight.
The whole affair is, as you perceive, not exactly æsthetic, and rather
fitted to an English stomach than to any other. It is, indeed, almost
painful to see such skill devoted to such absurd buffooneries; the
talent, however, is still most remarkable; and even the physical powers
wonderful, which can support these efforts of acting and continual
speaking, with all these fatiguing disguises, without a single slip or
stumble, for hours together.
Not to require as great an exertion of patience from you, I will now
conclude. I wish heartily that my display of the meagre peep-shows of
the town may not tire you too much. You asked for pictures of daily
life; you expect from me no statistical work, no topography, no regular
enumeration of the so-called sights of London, and no systematic
treatise on England; nor am I in any condition to afford you such.
Receive, therefore, the unpretending humble fare I send you, in good
part. It is at all events now and then seasoned with a grain of pepper.
Your faithful L----.
LETTER VII.
_London, Dec. 9th, 1826._
DEAREST FRIEND,
Public-domain text, read in full here on John Shaqi.
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