* * * * *
Rooms of mahogany in tall sky scrapers
See the unfolding and the folding up
Of ring-clipped papers,
And letters which keep drugged the public cup.
The walls hear whispers and the semi-tones
Of voices in the corner, over telephones
Muffled by Persian padding, gemmed with brass spittoons.
Butts of cigars are on the glass topped table,
And through the smoke, gracing the furtive Babel,
The bishop's picture blesses the picaroons,
Who start or stop the life of millions moving
Unconscious of obedience, the plastic
Yielders to satanic and dynastic
Hands of reproaching and approving.
* * * * *
Here come knights armed,
But with their arms concealed,
And rubber heeled.
Here priests and wavering want are charmed.
And shadows fall here like the shark's
In messages received or sent.
Signals are flying from the battlement.
And every president
Of rail, gas, coal and oil, the parks,
The receipt of custom knows, without a look,
Their meaning as the code is in no book.
The treasonous cracksmen of the city's wealth
Watch for the flags of stealth!
* * * * *
Acres of coal lie fenced along the tracks.
Tracks ribbon the streets, and beneath the streets
Wires for voices, fire, thwart the plebiscites,
And choke the counsels and symposiacs
Of dreamers who have pity for the backs
That bear and bleed.
All things are theirs: tracks, wires, streets and coal,
The church's creed,
The city's soul,
The city's sea girt loveliness,
The merciless and meretricious press.
* * * * *
Public-domain text, read in full here on John Shaqi.
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