Traced and Tracked; Or, Memoirs of a City DetectiveM'Govan, James
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Traced and Tracked; Or, Memoirs of a City Detective
M'Govan, James
Detective and mystery stories; Edinburgh (Scotland) -- Fiction
“I thought you said he was dead?”
“So he is; but his widow is alive, and may know the fiddle. We will
not prompt her in any way, but just show it her and see if she has
any suspicion of the truth.”
I was so pleased at the identification of the fiddle as that stolen
from Cleffton—which was all I had been employed to find—that I
offered no objection, and we walked through a street or two to a
semi-genteel place, where I was introduced to the widow of the
musician, and found her a shrewd and superior woman—one picked out
of a hundred, I should say, for quick intelligence.
My companion opened the conversation by asking to see one of her late
husband’s instruments to compare it with that we had with us, and in
the course of the testing he managed that our fiddle should find its
way into the widow’s hands. In a moment or two I saw her start and
look at it more closely, then take it nearer the light and examine it
closely at the scroll work close to the screwing pegs, and then she
turned to my companion perfectly amazed, and said—
“Do you know what I’ve discovered?”
“What?”
“This is my fiddle—the one that was stolen from M———the £50 Cremona
lost on the Penicuick road.”
“Impossible!—that one was bought in Newcastle.”
“That’s nothing. I don’t care though it had been bought in
Australia—it’s his fiddle. Look here”—and she pointed to some
scratching on the varnish in among the scroll carving—“what do you
call that?”
We both looked very closely, and I said at last—
“It’s like the letter M scratched with a pin.”
“It is just that, and was scratched with a pin in this very room. He
did it one night before me, saying, ‘If ever any one runs away with
my fiddle I’ll know it by that whether they change the ticket or
not.’ You need not take the fiddle away with you, for I claim it as
mine.”
Here was a poser, but I was not to be so easily deprived of what was
mine only on trust. I quietly took the instrument into my hands,
saying—
“At present, Mrs M———, the fiddle is in the hands of the police, and
as soon as you make good your claim to it I have no doubt it will
be surrendered to you, but it seems to me that you will require to
advance better evidence than that of a mere scratched letter.”
“I for one can swear to the instrument,” observed my companion.
“And half a dozen more, when they see it,” added the widow warmly. “I
will raise an action for its recovery to-morrow.”
“Tuts! do not be so hasty—save your money in the meantime,” I
advised. “I may get the evidence for you quite easily, if I can
get the thief to confess. But that will necessitate a journey to
Newcastle, so it can hardly be done in a day.”
Public-domain text, read in full here on John Shaqi.
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