English literature -- England -- Lancashire; Legends -- England -- Lancashire
From the mansion of Healey, built on an elevated slope above the dell,
opens out an extensive prospect. Limepark in Cheshire, Cloud End in
Staffordshire, with the Derbyshire hills, may be distinctly seen. Over
the smoke of Manchester, the banks of the Mersey are visible; and upon
the horizon rises up the barn-like ridge of Hellsby Tor,[4] in the
forest of Delamere. Towards the west may be seen, far out, like a vast
barrier, the Welsh mountains, _Moel Famma_ (mother of mountains), with
the vale of Clwyd, like a narrow cleft in the blue hills, which extend
until the chain of Penmaenmawr and the Isle of Anglesey abruptly
terminate in the sea. Few situations, without the toil of a laborious
ascent, show so commanding a prospect; while under the very eye of the
spectator, nature assumes an aspect of more than ordinary beauty.
One wild scene, the subject of our legend, the pencil, not the pen,
must describe. It would be impossible, in any other manner, to convey
an adequate idea of its extreme loveliness and grandeur. It is here
known by its Saxon appellation, "the Thrutch," or Thrust, signifying a
narrow, but deep and rugged channel in the rocks. Through this cleft
the Spodden bursts with great force, forming several picturesque
falls, which, though of mean height, yet, combined with the
surrounding scenery, few behold without an expression of both wonder
and delight.
The ancient corn-mill was here situated, just below the mansion. From
the "Grist Yate," by the main road to Rochdale, a winding horse-way,
paved with stones set on edge, led down the steep bank and pointed to
the sequestered spot where for ages the clack of the hopper and the
plash of the mill-wheel had usurped a noisy and undisputed possession.
In the reign of our fourth Edward--we know not the precise year--an
occurrence, forming the basis of the following legend, is supposed to
have taken place,--when fraud and feud were unredressed; when bigotry
and superstition had their "perfect work;" when barbaric cruelty, and
high and heroic deeds, had their origin in one corrupt and common
source, the passions of man being let loose, in wild uproar,
throughout the land; when the wars of the Roses had almost desolated
the realm, and England's best blood flowed like a torrent. Such was
the aspect of the time to which the following events relate.
It was in the beginning of the year, at the close of an unusually
severe winter. The miller's craft was nigh useless, the current of the
rivulet was almost still. Everything seemed so hard and frost-bound,
that nature looked as though her fetters were rivetted for ever. But
the dark and sterile aspect she displayed was bedizened with such
beauteous frost-work, that light and glory rested upon all, and winter
itself lost half its terrors.
Public-domain text, read in full here on John Shaqi.
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