Armed Forces -- Fiction; English poetry; Prisoners -- Fiction; Short stories, English
“Perhaps. We were in the front row, an’ ‘Home an’ Friends’ came on
early. Vickery touched me on the knee when the number went up. ‘If you
see anything that strikes you,’ he says, ‘drop me a hint’; then he went
on clicking. We saw London Bridge an’ so forth an’ so on, an’ it was
most interestin’. I’d never seen it before. You ’eard a little dynamo
like buzzin’, but the pictures were the real thing—alive an’ movin’.”
“I’ve seen ’em,” said Hooper. “Of course they are taken from the very
thing itself—you see.”
“Then the Western Mail came in to Paddin’ton on the big magic lantern
sheet. First we saw the platform empty an’ the porters standin’ by.
Then the engine come in, head on, an’ the women in the front row
jumped: she headed so straight. Then the doors opened and the
passengers came out and the porters got the luggage—just like life.
Only—only when any one came down too far towards us that was watchin’,
they walked right out o’ the picture, so to speak. I was ’ighly
interested, I can tell you. So were all of us. I watched an old man
with a rug ’oo’d dropped a book an’ was tryin’ to pick it up, when
quite slowly, from be’ind two porters—carryin’ a little reticule an’
lookin’ from side to side—comes out Mrs. Bathurst. There was no
mistakin’ the walk in a hundred thousand. She come forward—right
forward—she looked out straight at us with that blindish look which
Pritch alluded to. She walked on and on till she melted out of the
picture—like—like a shadow jumpin’ over a candle, an’ as she went I
’eard Dawson in the ticky seats be’ind sing out: ‘Christ! There’s Mrs.
B.!’”
Hooper swallowed his spittle and leaned forward intently.
“Vickery touched me on the knee again. He was clickin’ his four false
teeth with his jaw down like an enteric at the last kick. ‘Are you
sure?’ says he. ‘Sure,’ I says, ‘didn’t you ’ear Dawson give tongue?
Why, it’s the woman herself.’ ‘I was sure before,’ he says, ‘but I
brought you to make sure. Will you come again with me to-morrow?’
“‘Willingly,’ I says, ‘it’s like meetin’ old friends.’
“‘Yes,’ he says, openin’ his watch, ‘very like. It will be
four-and-twenty hours less four minutes before I see her again. Come
and have a drink,’ he says. ‘It may amuse you, but it’s no sort of
earthly use to me.’ He went out shaking his head an’ stumblin’ over
people’s feet as if he was drunk already. I anticipated a swift drink
an’ a speedy return, because I wanted to see the performin’ elephants.
Instead o’ which Vickery began to navigate the town at the rate o’
knots, lookin’ in at a bar every three minutes approximate Greenwich
time. I’m not a drinkin’ man, though there are those present”—he cocked
his unforgetable eye at me—“who may have seen me more or less imbued
with the fragrant spirit. None the less, when I drink I like to do it
at anchor an’ not at an average speed of eighteen knots on the measured
mile. There’s a tank as you might say at the back o’ that big hotel up
the hill—what do they call it?”
Public-domain text, read in full here on John Shaqi.
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