German drama -- Translations into English; Tragedies (Drama)
LULU--Now it’s going to be about me!
DR. GOLL--Our Apelles is already wiping his brushes.
LULU--I had imagined this would be much more amusing.
SCHÖN--But you have always the satisfaction of preparing for us the
greatest and rarest pleasure.
LULU--[_Going left._] Oh, just wait!
SCHWARZ--[_Before the bedroom door._] If madame will be so kind....
[_Shuts the door after her and stands in front of it._]
DR. GOLL--I christened her Nellie, you know, in our marriage-contract.
SCHÖN--Did you?--Yes.
DR. GOLL--What do you think of it?
SCHÖN--Why not call her rather Mignon?
DR. GOLL--That would have been good, too. I didn’t think of that.
SCHÖN--Do you consider the name so important?
DR. GOLL--Hm.... You know, I have no children.
SCHÖN--But you’ve only been married a couple of months.
DR. GOLL--Thanks, I don’t want any.
SCHÖN--[_Having taken out his cigarette-case._] Have a cigarette?
DR. GOLL--[_Helps himself._] I’ve plenty to do with this one. [_To_
SCHWARZ.] Say, what’s your little danseuse doing now?
SCHÖN--[_Turning round on_ SCHWARZ.] You and a danseuse?
SCHWARZ--The lady was sitting for me at that time only as a favor. I
made her acquaintance on a flying trip of the Cecilia Society.
DR. GOLL--[_To_ SCHÖN.] Hm.... I think we’re getting a change of
weather.
SCHÖN--The toilet isn’t going so quickly, is it?
DR. GOLL--It’s going like lightning! Woman has got to be a virtuoso
in her job. So must we all, each in his job, if life isn’t to turn to
beggary. [_Calls._] Hop, Nellie!
LULU--[_Inside._] Just a second!
DR. GOLL--[_To_ SCHÖN.] I can’t get onto these blockheads. [_Referring
to_ SCHWARZ.]
SCHÖN--I can’t help envying them. These blockheads know of nothing
holier than an altar-cloth, and feel richer than you and me with
30,000-mark incomes. Besides, you’re no person to judge a man who has
lived since childhood from palette to mouth. Take it upon yourself to
finance him: it’s an arithmetic example! I haven’t the moral courage,
and one can easily burn one’s fingers, too.
LULU--[_As_ PIERROT, _steps out of the bedroom_.] Here I am!
SCHÖN--[_Turns; after a pause._] Superb!
LULU--[_Nearer._] Well?
SCHÖN--You shame the boldest fancy.
LULU--How do you like me?
SCHÖN--A picture before which art must despair.
DR. GOLL--Ah, you think so, too?
Schön--[_To_ LULU.] Have you any notion what you’re doing?
LULU--I’m perfectly aware of myself!
SCHÖN--Then you might be a little more discreet.
LULU--But I’m only doing what’s my duty.
SCHÖN--You are powdered?
LULU--What do you take me for!
DR. GOLL--I’ve never seen such a white skin as she’s got. I’ve told
our Raphael here, too, to do just as little with the flesh tints as
possible. I can’t get up any enthusiasm for this modern daubing.
SCHWARZ--[_By the easels, preparing his paints._] At any rate, it’s
thanks to impressionism that present-day art can stand up beside the
old masters without blushing.
DR. GOLL--Oh, it may be quite the thing for a brute being led to
slaughter.
Public-domain text, read in full here on John Shaqi.
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