German drama -- Translations into English; Tragedies (Drama)
ESCERNY--[_Disconcerted._] Among men of culture you will not find one
who can help losing his head over you.
LULU--Your wishes, however, no one can quite fulfil without deceiving
you.
ESCERNY--To be deceived by a girl like you must be ten times more
enrapturing than to be uprightly loved by anybody else.
LULU--You have not known what it was to be uprightly loved by any girl
yet in all your life! [_Turning her back to him and pointing._] Would
you undo this knot for me? I’ve laced myself too tight. I am always so
excited getting dressed.
ESCERNY--[_After repeated efforts._] I’m sorry; I can’t.
LULU--Then leave it. Perhaps I can. [_Goes left._]
ESCERNY--I confess that I am lacking in deftness. Maybe I was a poor
student in my relations with women.
LULU--And probably you don’t have much opportunity in Africa, either?
ESCERNY--[_Seriously._] Let me confess to you frankly that my isolation
in the world embitters many an hour.
LULU--The knot is almost done....
ESCERNY--What draws me to you is not your dancing. It’s your physical
and spiritual refinement, as revealed in every one of your movements.
No one who takes the interest I do in works of art could be deceived
as to that. For ten evenings I’ve been studying your spiritual life in
your dance, until to-day when you entered as the flower-girl I became
perfectly clear. Yours is a grand nature--unselfish; you can see no one
suffer; you embody the joy of life. As a wife you will make a man happy
above all things.... You are all open-heartedness. You would be a poor
actor. [_The bell rings again._]
LULU--[_Having somewhat loosened her laces, takes a deep breath and
jingles her spurs._] Now I can breathe again. The curtain is going up.
[_She takes from the centre table a skirt-dance costume--of bright
yellow silk, without a waist, closed at the neck, reaching to the
ankles, with wide, loose sleeves--and throws it over her._] I must
dance.
ESCERNY--[_Rises and kisses her hand._] Allow me to remain here a
little while longer.
LULU--Please stay.
ESCERNY--I need a little solitude. [LULU _goes out_.] What is to be
aristocratic? To be eccentric, like me? Or to be perfect in body and
mind, like this girl? [_Applause and bravos outside._] She gives me
back my faith in humanity,--gives me back my life. Should not this
woman’s children be more princely, body and soul, than children whose
mother has no more vitality in her than I have felt in me until to-day?
[_Sitting, right; ecstatically._] The dance has ennobled her body....
[ALVA _enters_.]
ALVA--One is never sure a moment that some miserable chance won’t throw
the whole performance out for good. [_He throws himself into the big
chair, left, so that the two men are in exactly reversed positions from
their former ones. Both converse somewhat boredly and apathetically._]
ESCERNY--But the audience has never shown itself so responsive before.
ALVA--She’s finished the skirt-dance.
ESCERNY--I hear her coming....
Public-domain text, read in full here on John Shaqi.
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