German drama -- Translations into English; Tragedies (Drama)
mostly undramatic speeches that overload the present commencement of
_Pandora’s Box_.
The pessimism of the last act is terrific and leads straight to the
mood of _Damnation!_--a sort of satyr-play, concluding the three
tragedies. In it, quite unrealistically, is passionately expressed
what _Pandora’s Box_ implies--the hopelessness, the impossibility of
happiness (for one, that is, whose conception of happiness is physical)
from life as at present organized. This was the mission--this and the
various remedies that Wedekind proposed--which the world persistently,
unshakably condemned. Wedekind writhed. Between _Pandora’s Box_ and
_Damnation!_ (1905) appeared two scarcely disguised subjective plays,
_King Nicolo_, or _Such is Life_, which is very largely autobiography
transferred to fourteenth-century Italy, a swift, dramatic and pathetic
tale genuinely engaging our sympathies; and _Hidalla_, or _The Giant
Dwarf_, which partly by satire, partly by outright propaganda,
sets forth the Wedekindian point of view--the necessity for a new
morality, for those who are rich enough to afford it: a morality
that puts beauty, not material welfare, first among its objects,
and especially revolutionizes sexual life. The worthlessness, for
Wedekind, of intellectual concepts, theories, spirituality and all
other abstractions--his utter absorption in the darker, inner world of
feeling, will and instinct, especially the world of his own jarring
soul, unheeding others or society at large, robs this one-sided drama
of true tragic force. He tried again to justify himself in his next
two plays: _Music_, a quite objective study of the havoc artistic
education, seduction, abortion, the punishment of abortion, etc., etc.,
may cause; and _Censorship_, a wholly subjective one-act written after
the lawsuits over _Pandora’s Box_ had been settled, and striving, not
too transparently, to show the world his truly self-sacrificial and
missionary spirit. By this time disciples were beginning to come to
him; he married; and the force of his irritation spent itself. His last
period begins.
Public-domain text, read in full here on John Shaqi.
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