She was of the frank and innocent type. Everybody she regarded as her
friend. She was enthusiastic about her art. That her ambition would be
realized she did not doubt for an instant.
It was ten months later when I met her again.
Her face wore a tell-tale look. The daintiness of bearing and innocent
features were missing. Her shyness was gone. She was bold, and
immeasureably aged.
A heavy coat of powder and rouge besmeared her face, but only served
to make the dark circles beneath her eyes stand forth with more
prominence. The simple, childish gown I had admired was replaced by a
showy, flashy creation.
In one glance I read the answer, the secret of her changed existence.
When her eyes met mine, for a second in their dull depths I could see
an expression of the old innocence. Probably it was the thought she
entertained for that short space in the connecting of me with her old
and pure existence.
When she spoke I could not be mistaken. Try as she did to appear the
girl of old, it was useless. The pace had told and left its trace only
too strongly written on every line of her face.
After the usual greeting I asked her to take dinner with me. She
assented.
In the cafe I asked her what had happened. How she had fallen.
For a minute she sat gazing at me and her eyes filled with tears.
"Do I look that way? Can every one I meet read what I am?" she asked
tearfully.
I tried to evade her questioning, but she pressed for an answer. Then I
told her that I was afraid her secret was only too plainly written.
"Why don't you give it up and go home?" I asked her.
She thought a minute and then answered that she couldn't.
"I'm not as bad as lots of the others," she said desperately. "I don't
hope and long any more to become a great actress.
"I found there were so many more girls who were more accomplished than
me. I couldn't get anything but a chorus part. I became discouraged and
went out for good times. I had them, I guess."
When I asked her to go home and try to begin over again her anger was
aroused. The company she had kept had left its mark on her.
"Say, now, don't hand me any of that religious talk," was her angry
answer. "It's nothing to you why I don't go home. I've had good times
and I am going to have more of them."
I talked to her for a few minutes, but soon found argument to be
useless. We ate our dinner quietly and without further words. When I
parted with her it seemed as though it were for the last time. I knew
the end that was near at hand--the specter that was waiting for her.
It was three weeks later when I saw her again. There was a different
setting for the scene than at our two other meetings.
The scene was laid in a cell room at the Harrison street police
station. On an iron cot lay a young girl. She was in a maudlin
condition from drugs. Her clothes were dirty and torn. Her face was
discolored and bloated.
It was the same girl--the little innocent show girl of a year before.
Public-domain text, read in full here on John Shaqi.
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