Almost before Neal was aware of it the train had slipped into the
station, the brass bell on the boiler clanging, the driving wheels
slurring to a halt. He waved to the engineer as the cab passed.
Below the station at the Pearl Street crossing Mike Levangie, the
lank-mustached, one-legged gate-tender, hobbled out of his shack
and cranked down the double gate, then clumped over the tracks and
lowered the single one.
Several passengers got off, a man and a woman got on, the
stationmaster came out to check a bundle of Boston newspapers. Neal
and Stevens walked to the baggage car where the freight clerk was
waiting for them. Neal did not know his name—he was a new fellow—but
he was a Mason. “Cold morning,” he remarked as he shoved an iron box
across the floor. It contained some thirty thousand dollars in bills
and coin. After Neal had signed the receipt book the clerk handed him
the box’s key in a sealed envelope.
Neal and Stevens carried the box across the platform to the wagon and
pushed it under the seat. Then Neal climbed up beside the driver.
The driver flicked the reins and the horse started forward. Stevens,
who had climbed over the tailboard, remained standing. Just as the
wagon began to move, the locomotive backed up suddenly with a clank
of couplings. Its piston rods reversed, a jet of steam shot from the
cylinders, and the train started off in the direction of Weymouth,
Hingham, and the South Shore.
The shadow of the wagon moved diagonally across Railroad Avenue
toward the Hampton House, a mansard-roofed structure, four stories
high, that had been built in the seventies for a trunk factory.
It now housed the Slater & Morrill offices as well as the cutting
rooms of the upper factory—Slater & Morrill’s lower factory was some
distance away on Pearl Street. On the ground floor of the Hampton
House, to the left of the center entrance, was the express company’s
office. The gilt sign over its door, unchanged from an earlier day,
read _New York & Boston Despatch Express Co._
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account