Tragic Romances: Re-issue of the Shorter Stories of Fiona Macleod; Rearranged, with Additional Tales — John Shaqi
Tragic Romances: Re-issue of the Shorter Stories of Fiona Macleod; Rearranged, with Additional TalesSharp, William
General
Tragic Romances: Re-issue of the Shorter Stories of Fiona Macleod; Rearranged, with Additional Tales
Sharp, William
Scotland -- Social life and customs -- Fiction
“Sure, Marcus, you know well what I mean. Why do you make this thing hard
for me? There is but one thing he would come here wanting; and he has
asked me if I will go with him, and I have said yes. And if you are not
willing that he come again with the minister, or that we go across to the
kirk in Berneray of Uist in the Sound of Harris, then I will not stay
under this roof another night, but will go away from Eilanmore at sunrise
in the _Luath_, that is now in the haven. And that is for the hearing and
knowing, Marcus and Gloom and Sheumais!”
Once more, silence followed her speaking. It was broken in a strange way.
Gloom slipped his _feadan_ into his hands, and so to his mouth. The clear
cold notes of the flute filled the flame-lit room. It was as though white
polar birds were drifting before the coming of snow.
The notes slid into a wild remote air: cold moonlight on the dark o’ the
sea, it was. It was the _Dàn-nan-Ròn_.
Anne flushed, trembled, and then abruptly rose. As she leaned on her
clenched right hand upon the table, the light of the peats showed that
her eyes were aflame.
“Why do you play _that_, Gloom Achanna?”
The man finished the bar, then blew into the oaten pipe, before, just
glancing at the girl, he replied:
“And what harm will there be in _that_, Anna-ban?”
“You know it is harm. That is the Dàn-nan-Ròn!”
“Ay; and what then, Anna-ban?”
“What then? Are you thinking I don’t know what you mean by playing the
Song of the Seal?”
With an abrupt gesture Gloom put the _feadan_ aside. As he did so, he
rose.
“See here, Anne,” he began roughly--when Marcus intervened.
“That will do just now, Gloom. Ann-à-ghraidh, do you mean that you are
going to do this thing?”
“Ay, sure.”
“Do you know why Gloom played the Dàn-nan-Ròn?”
“It was a cruel thing.”
“You know what is said in the isles about … about … this or that man,
who is under _gheasan_--who is spell-bound … and … and … about the seals
and …”
“Yes, Marcus, it is knowing it that I am: ‘_Tha iad a’ cantuinn gur h-e
daoine fo gheasan a th’ anns no roin._’”
“‘_They say that seals_,’” he repeated slowly; “‘_they say that seals are
men under magic spells._’ And have you ever pondered that thing, Anne, my
cousin?”
“I am knowing well what you mean.”
“Then you will know that the MacCodrums of North Uist are called the
Sliochd-nan-ròn?”
“I have heard.”
“And would you be for marrying a man that is of the race of the beasts,
and that himself knows what _geas_ means, and may any day go back to his
people?”
“Ah, now, Marcus, sure it is making a mock of me you are. Neither you
nor any here believes that foolish thing. How can a man born of a
woman be a seal, even though his _sinnsear_ were the offspring of the
sea-people,--which is not a saying I am believing either, though it may
be: and not that it matters much, whatever, about the far-back forebears.”
Marcus frowned darkly, and at first made no response. At last he
answered, speaking sullenly.
Public-domain text, read in full here on John Shaqi.
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