Tragic Romances: Re-issue of the Shorter Stories of Fiona Macleod; Rearranged, with Additional TalesSharp, William
General
Tragic Romances: Re-issue of the Shorter Stories of Fiona Macleod; Rearranged, with Additional Tales
Sharp, William
Scotland -- Social life and customs -- Fiction
A long silence followed. The old women had seated themselves by the
corpse, their cloaks over their heads. The room was fireless, and was lit
only by a tall wax death-candle, kept against the hour of the going.
At last Sheen began swaying slowly to and fro, crooning low the while. “I
would not be for doing that, Sheen Macarthur,” said the deid-watcher in a
low voice, but meaningly; adding, after a moment’s pause, “_The mice have
all left the house._”
Sheen sat upright, a look half of terror half of awe in her eyes.
“God save the sinful soul that is hiding,” she whispered.
Well she knew what Maisie meant. If the soul of the dead be a lost soul
it knows its doom. The house of death is the house of sanctuary; but
before the dawn that follows the death-night the soul must go forth,
whosoever or whatsoever wait for it in the homeless, shelterless plains
of air around and beyond. If it be well with the soul, it need have no
fear: if it be not ill with the soul, it may fare forth with surety; but
if it be ill with the soul, ill will the going be. Thus is it that the
spirit of an evil man cannot stay, and yet dare not go; and so it strives
to hide itself in secret places anywhere, in dark channels and blind
walls; and the wise creatures that live near man smell the terror, and
flee. Maisie repeated the saying of Sheen; then, after a silence, added--
“Adam Blair will not lie in his grave for a year and a day because of the
sins that are upon him; and it is knowing that, they are, here. He will
be the Watcher of the Dead for a year and a day.”
“Ay, sure, there will be dark prints in the dawn-dew over yonder.”
Once more the old women relapsed into silence. Through the night there
was a sighing sound. It was not the sea, which was too far off to be
heard save in a day of storm. The wind it was, that was dragging itself
across the sodden moors like a wounded thing, moaning and sighing.
Out of sheer weariness, Sheen twice rocked forward from her stool, heavy
with sleep. At last Maisie led her over to the niche-bed opposite, and
laid her down there, and waited till the deep furrows in the face relaxed
somewhat, and the thin breath laboured slow across the fallen jaw.
“Poor old woman,” she muttered, heedless of her own grey hairs and greyer
years; “a bitter, bad thing it is to be old, old and weary. ’Tis the
sorrow, that. God keep the pain of it!”
As for herself, she did not sleep at all that night, but sat between
the living and the dead, with her plaid shrouding her. Once, when Sheen
gave a low, terrified scream in her sleep, she rose, and in a loud voice
cried, “_Sheeach-ad! Away with you!_” And with that she lifted the shroud
from the dead man, and took the pennies off the eyelids, and lifted
each lid; then, staring into these filmed wells, muttered an ancient
incantation that would compel the soul of Adam Blair to leave the spirit
of Sheen alone, and return to the cold corpse that was its coffin till
the wood was ready.
Public-domain text, read in full here on John Shaqi.
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