[1] In what follows, I confess to refer not so much to the generally admitted opinion on Wordsworth as to my own views on him and his poetry, which I tried to explain in my essay: "The Case of Wordsworth" (_Shelley and Calderón, and other Essays_, Constable and Co., 1920). [2] _Vida de Don Quijote y Sancho, explicada y comentada_, por M. de Unamuno: Madrid, Fernando Fé, 1905. [3] These three novels appeared together as _Tres Novelas y un Prólogo_ Calpe, Madrid, 1921. [4] "Me va interesando ese Dean Inge," he wrote to me last year. AUTHOR'S PREFACE I intended at first to write a short Prologue to this English translation of my _Del Sentimiento Trágico de la Vida_, which has been undertaken by my friend Mr. J.E. Crawford Flitch. But upon further consideration I have abandoned the idea, for I reflected that after all I wrote this book not for Spaniards only, but for all civilized and Christian men--Christian in particular, whether consciously so or not--of whatever country they may be. Furthermore, if I were to set about writing an Introduction in the light of all that we see and feel now, after the Great War, and, still more, of what we foresee and forefeel, I should be led into writing yet another book. And that is a thing to be done with deliberation and only after having better digested this terrible peace, which is nothing else but the war's painful convalescence. As for many years my spirit has been nourished upon the very core of English literature--evidence of which the reader may discover in the following pages--the translator, in putting my _Sentimiento Trágico_ into English, has merely converted not a few of the thoughts and feelings therein expressed back into their original form of expression. Or retranslated them, perhaps. Whereby they emerge other than they originally were, for an idea does not pass from one language to another without change. The fact that this English translation has been carefully revised here, in my house in this ancient city of Salamanca, by the translator and myself, implies not merely some guarantee of exactitude, but also something more--namely, a correction, in certain respects, of the original.