The shadow of the hotel fell far into the public square, and in front of the building, their chairs placed in what would have been the gutter of the street if the thoroughfare had been paved, their feet braced with probably more comfort than grace against the low sidewalk, a row of men was stationed, like crows on a fence. There must have been twenty or more of them, in various stages of undress from vest down to suspenders, from bright cravats flaunting over woolen shirts and white shirts, and striped shirts and speckled shirts, to unconfined necks laid bare to the breeze. Whether these were guests waiting supper, or merely loafers waiting anything that might happen next, Morgan had not been long enough in town to determine. He noticed the curious and, he thought, unfriendly eyes which they turned on him as he approached. And as Morgan set foot on the sidewalk porch of the hotel, Seth Craddock, the new city marshal, rose out of the third chair on the end of the row nearest him, hand lifted in commanding signal to halt. "You've just got time to git your gripsack," Craddock said, coming forward as he spoke, but stopping a little to one side as if to allow Morgan passage to the door. "Time's no object to me," Morgan returned, good-humored and undisturbed, thinking this must be one of the jokes at the expense of strangers for which Ascalon was famous. Some of the loafers were standing by their chairs in attitude of indecision, others sat leaning forward to see and hear. Traffic both ways on the sidewalk came to a sudden halt at the spectacle of two men in a situation recognized at a glance in quick-triggered Ascalon as significant, those who came up behind Morgan clearing the way by edging from the sidewalk into the square. "The train'll be here in twelve minutes," Craddock announced, watch in his palm. "On time, is she?" Morgan said indifferently, starting for the door. Again Seth Craddock lifted his hand. Those who had remained seated along the gutter perch up to this moment now got to their feet with such haste that chairs were upset. Craddock put his hand casually to his pistol, as a man rests his hand on his hip. "You're leavin' on it," he said. "I guess you've got the wrong man," Morgan suggested, noting everything with comprehensive eye, not a little concerned by the marshal's threatening attitude. If this were going to turn out a joke, Morgan wished it might begin very soon to show some of its risible features on the surface, in order that he might know which way to jump to make the best figure possible.