Traitor or patriot? : $b A tale of the Rye-House PlotRowsell, Mary C. (Mary Catherine)
History
Traitor or patriot? : $b A tale of the Rye-House Plot
Rowsell, Mary C. (Mary Catherine)
Great Britain -- History -- Charles II, 1660-1685 -- Fiction; Rye House Plot, 1683 -- Fiction
That same iron-clamped door atop of the tower staircase opened--if
indeed one may so speak of a door which so rarely was put to its
use--into a chamber called the Warder's Room. Not having been
inhabited for a generation or two, it was of course reputed to be
haunted by a "White Woman," and that was no more than truth and fact;
for many an hour Ruth spent in it, weaving romances out of her own
brain, for the mail-clad knights and wimpled ladies whose pictured
forms gleamed dimly from the rich oak wainscoted walls, and the
designs and quaint devices of their panellings which accorded with
those on the walls of Ruth's room, lying immediately beyond.
[Sidenote: Ruth romancing.]
Ruth had a theory that this suite of rooms on the upper storey of the
gatehouse wing had in olden times been occupied by the lord and lady
of the ancient mansion; and the notion was probably a correct one,
since in no part of the place were traces of such magnificence to be
seen as here. Fragments of painted glass glowed in the mullioned
windows, showing scraps of monstrous griffin-like heads and scaly
tails, and enscrolled letters, of which only one word in one of the
upper lights of Ruth's window remained entire--"Loyaulté."
Time and wear had so polished the wood of this chamber's
richly-parqueted floor that its smooth surface reflected, like some
quiet pool, the tall-backed chairs of tawny and gilt Cordovan
leather, ranged stiffly against the walls, and about the long narrow
oaken table covered with its faded velvet drapery; and the massive
proportions of the huge carved oaken chest, capacious enough to shut
in one of the mailed knights, or even portly brown-frocked Abbot
Benedict Ogard of Waltham Abbey himself, who smiled, come fair
weather come foul, come day come night, so unctuously down on you
from his recess beside the loftily-coped fireplace.
Ruth could very well recall the time when the lower portion of the
walls of this room had been hung with Flemish tapestry, embroidered
with subjects from the Old Testament and early Grecian lore. One
winter, however, when King Frost intruded so tyrannically in-doors
that people shivered in their beds, Maudlin Sweetapple had stripped
down the greater part of this tapestry to make curtains for Ruth's
room. If in cutting away the tattered and hopelessly unmendable
parts of it, she had patched the stuff together again in such fashion
as to leave Solomon in all his glory turning a summersault on the
extreme tip of Jonah's whale's nose, and Goliath's gory head frowned
grimly from the neck of the Trojan horse, did it not all serve every
whit as well for keeping the wind away?
[Sidenote: The warder's room.]
Public-domain text, read in full here on John Shaqi.
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