Traitor or patriot? : $b A tale of the Rye-House PlotRowsell, Mary C. (Mary Catherine)
History
Traitor or patriot? : $b A tale of the Rye-House Plot
Rowsell, Mary C. (Mary Catherine)
Great Britain -- History -- Charles II, 1660-1685 -- Fiction; Rye House Plot, 1683 -- Fiction
Unluckily it all lay locked away, a splendid store, in the big oak
linen press, atop of the keeping-room staircase; and just the least
bit in the world of extra courage was indispensable for traversing
those silent passages at this hour. And yet after all, a very little
bit, for Ruth was no coward. The chief difficulty was to avoid
disturbing Maudlin. It would be such a shame to do that. The old
woman lay so comfortable--leagues away in the land of dreams. Ruth
could see that, as she peeped at her through the half-open door. So
soundly sleeping that she gathered courage, and stepped tiptoe across
the floor, out into the corridors beyond, till she could see the
sacks away at its furthermost end in the storeroom, all huddled
together like hunchbacks under the dim starlight, or--like those
cloaked men who had got out of the barge! and then Ruth shivered.
But that was little to be wondered at, for the air of the store-room
struck icy cold as she stole on--on into the corridor where the linen
press stood.
Close beside it a small lattice afforded a glimpse of the river just
beyond the bridge. There lay the barge! Still moored up alongside
the bank; a huge black blot upon the silvery water.
And the "Queen Ruth?" Nay--as if it was likely to be there now.
Why, her pretty little cat Tab had as much to do with the big
elephant who lumbered by in the show yesterday, as the merry,
graceful, little "Queen Ruth" could have with yonder ugly boat? And
yet, and yet--ah! what a consolation it is to make sure of anything!
to crush out one's absurd fancies--dead, past all coming to life
again! And how temptingly easy in this case! Quite as easy anyhow,
as to be standing there, dreaming and talking about it. Only just to
steal down by the stairs and through the keeping-room, where the
still smouldering fire cast a few dull gleams, and so out by the
narrow path to the wicket. Then but a step--but softly, creep low
for thy life, Ruth--in the high wall's shadow, and drag the cloak,
snatched in haste from a peg, close and well about thy face and
shoulders. And what if Rumbold should be returning now? But there
is never a sound save the flapping of the bats' wings, that beat in
her face, and bring her heart into her mouth.
[Sidenote: Ruth goes exploring.]
She was so near now to the gilded patch of light upon the black road
before the inn parlour window, that had the pane been open, she must
beyond all question have caught the voices of those within. But
though just for one instant she paused, pressing her hand upon her
beating heart to listen, not so much as an echo reached her; and she
hurried on, towards the parapet of the bridge, where it wound down
lower and lower to the little landing-stage--and leaned over.
Still tied to the stake lay the "Queen Ruth." The swift stream from
the bridge gently swaying her bows, and her gay cowslip posies and
ribbon knots fluttering in the breeze now fast springing up.
Public-domain text, read in full here on John Shaqi.
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