Traitor or patriot? : $b A tale of the Rye-House PlotRowsell, Mary C. (Mary Catherine)
History
Traitor or patriot? : $b A tale of the Rye-House Plot
Rowsell, Mary C. (Mary Catherine)
Great Britain -- History -- Charles II, 1660-1685 -- Fiction; Rye House Plot, 1683 -- Fiction
Decidedly, even to her very little tempers, Mistress Sheppard was a
model of her class. When the world wagged to her liking, her plump
peony cheeks so dimpled over with smiling good-humour, and her voice,
albeit always a trifle shrill, was so kindly, that you experienced
some difficulty in bringing yourself to believe, what nevertheless
was true, that the face could look thunderously black, and the voice
set your teeth on edge with its vinegar sharpness.
In justice, however, it ought to be added that sunshine prevailed in
Mistress Sheppard's nature, and the storms threatened only when she
had what she called her "reasons" for them. If Sheppard called them
"prejudices, unaccountable prejudices," he only did so when she was
safe out of earshot.
To his great vexation and discomfiture, the clouds hang very heavy on
his wife's brow to-night. It is clear she does not like these guests
who have sought the inn's hospitality; and when the party arriving by
road, passes through into the parlour, she sits contemplating its
door, which is close shut by the one who last enters, in grim
meditative silence.
"I don't know whose looks I care for least among 'em," she muttered,
as at last she slowly turned to fill the tankards of ale they had
ordered. "Eyes on a more hang-dog crew I never set. With the brims
o' their hats as hollow as cabbage leaves, as if they was ashamed o'
their own ugly faces; as well they may be, and downright afeard to be
seein' what mine was like. Why, I give you my word, there wasn't one
o' the lot looked my way, to give me so much as a civil good e'en, as
they passed. That's manners for you!"
"Hush!" whispered Sheppard, imploringly, and casting nervous glances
towards the guest-parlour, as Mistress Sheppard's tones ran up the
gamut, till they ended in a shrill treble. "Hush! There's a dear
woman. Walls have ears."
"And so much the better if they have; for then they'll be knowin' a
piece o' my mind."
"Ah, hush! hush! If the gentlemen should overhear--"
"Gentlemen, quotha! gentlemen!--"
"Ay; there's a live lord among 'em."
"Live lord is there! Then, beshrew me, if it's at court he learnt
his manners. Our dame-school brats know 'em better. Why his sacred
majesty--"
"Ah, hush! hush!" agonizedly entreated Sheppard.
[Sidenote: Lord Howard has his character.]
"What should I hush for? His own sacred majesty, I say, always bids
me a 'God save you, Mistress Sheppard!' from his coach-door when his
coach pulls up here to change horses; and once--well I remember
it--his own royal fingers chucked me under the chin. No, I don't say
you was by and saw him do't; but he did. Well, well, what's your
fine lord's name? Bless the man; can't you speak out? mumblin' as if
you hadn't got a tooth in your head! Howard o' what?"
"Escrick. Lord Howard of Escrick."
Public-domain text, read in full here on John Shaqi.
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