Traitor or patriot? : $b A tale of the Rye-House PlotRowsell, Mary C. (Mary Catherine)
History
Traitor or patriot? : $b A tale of the Rye-House Plot
Rowsell, Mary C. (Mary Catherine)
Great Britain -- History -- Charles II, 1660-1685 -- Fiction; Rye House Plot, 1683 -- Fiction
"Mad girl!" he cried in agonizing amazement; "what would you do?
Give it me. Do you hear?" and he started forward to seize it.
[Sidenote: Ruth's threat.]
"Mind, Lawrence," she said, waving him back, "dare to lay a finger on
it, and--"
"What--what--?"
"And I will tell all the world--that is to say, I will tell Mistress
Sheppard, and that will serve just as well, of everything I heard and
saw last night. Say, Lawrence," and she half held the bayonet
towards him, "which way is to be?"
[Sidenote: Lawrence Lee in check.]
Without a word he turned from her, and strode wrathfully, and pale as
a ghost, away through the copse.
CHAPTER XII.
MOTHER GOOSE'S TALES.
Lovelier spring than this one now passing into early summer had not
been within living memory. Never had the trees budded more green and
fresh-looking, and the roses and larkspurs shown more hurry to break
forth and mingle their fragrance with the breath of the soft sweet
air; and yet Ruth Rumbold's heart felt as wintry as if some load of
ice-bound earth weighed it down.
Poor old Maudlin wondered sorely what ailed her pet, that she went
about the place, doing her little household duties as carefully and
deftly indeed as she always did do them, but not to the tune of her
own sweet young voice, as her wont was. No, the child had grown
silent as any stock and stone, and as grave--and that wasn't saying a
little neither--as the master himself; and then Maudlin set about
concocting a variety of messes and electuaries in the still-room with
a view to restoring the roses to the pale cheeks, and charming back
the lost music. And then, after all her trouble, to think that Ruth
refused to swallow a mouthful of her medicaments, and vowed that
nothing ailed her--if only Maudlin would leave her to herself!
For three whole days this sort of thing has been going on; and
to-night, tired out with her ineffectual expostulations, the old
woman has gone off, not without dudgeon, to "get a mouthful of fresh
air," as she says. And truly the atmosphere is heavy--as if a storm
were not so far off--and to indulge in a little interchange of ideas
in the gate-house parlour; for there you are always safe to pick up
the latest news stirring, trifling and important, just as you would
come upon it in the Mall or the Covent Garden coffee-houses.
[Sidenote: Ruth at her studies.]
And so Ruth is left to her musings; for though at the first glance
you might call them studies, since one book of the little heap piled
up on the broad ledge of the window where she is seated, lies open on
her lap, you have but to look again, to see she is not reading it.
As, however, the sound of a heavy step descending the stairs falls
upon her ear, she drops her eyes to the page, not even raising them
again when the maltster enters, and crossing slowly to her side,
stands gazing out absently into the rays of the setting sun, which
are luridly firing the yew-tree peacock into a blaze of red and
yellow.
Public-domain text, read in full here on John Shaqi.
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