Traitor or patriot? : $b A tale of the Rye-House PlotRowsell, Mary C. (Mary Catherine)
History
Traitor or patriot? : $b A tale of the Rye-House Plot
Rowsell, Mary C. (Mary Catherine)
Great Britain -- History -- Charles II, 1660-1685 -- Fiction; Rye House Plot, 1683 -- Fiction
"Now," smiled Ruth to herself, in the dead silence that ensued, "now
I have a secret! and never a creature shall be told of it. Not even
Maudlin, nor Lawrence--Lawrence indeed! certainly not! A rare fine
place to hide in when next Lettice Larkspur and Dorothy Dingle come
to spend the day. Why, if they'd search till midnight, they'd not
find me. I should be shut in safe--," here a sneeze, caused by the
cloud of dust her movements had raised, interrupted her, "safe as the
'mistleto bough' bride. Almost, that is to say," she went on,
brushing away the cobwebs festooning her skirts, as she stepped back
over the skirting-board, and kneeling down to replace the panel, she
discovered that by the merest touch of her finger she could work it
backwards and forwards in its grooves. Not so hard to open as the
old oak chest was, certainly; though in every probability it had been
so once upon a time, before the dry-rot had shrivelled the wood in
its sockets, and the fragments of iron bolts, some strewing the
floor, some still hanging, had rusted and given way. A pasteboard
sort of protection now the place would have been, though it was no
doubt safe enough in those war times of the Roses, when it was built.
And carefully indeed Ruth had kept her secret, though there were
times when it grew to be rather a burden to her. When, for instance,
she lay in her bed and thought what dismal straits those poor people
must have been driven to, before they should have sought such a
refuge.
The very existence of the place is, however, forgotten now in this
other mystery that haunts her sleeping and waking.
She does not find it at all true, as she sits uncoiling her hair, and
absently brushing out its brown waves, that sharing her load of care
makes it lighter, as people are so fond of telling you that it does.
The weight, on the contrary, seems to have grown heavier, especially
within these last hours; and oblivious of everything beyond her
troubled reflections, she is only recalled to a sense of realities by
Maudlin Sweetapple's voice querulously clamouring for the lamp to be
extinguished. "Beshrew the thing!" piped she; "how many more times
am I to shut my eyes, and open 'em again, to see all these ghosts
about the place?"
"Ghosts?" queried Ruth, escaping to Maudlin's door, and peeping
gingerly in.
[Sidenote: Shadows on the wall.]
"Ay, marry, ghosts; black-sheeted ghosts all over the walls," said
Maudlin, pointing to the restless shadows cast by the quivering flame
of Ruth's lamp. "Look at 'em bobbin' about, and a draught to cut a
body's head off! Have you got a pane open in there, child?"
Doubtless that explained the inconvenience; for Ruth had opened the
pane in order to catch the faintest sound that might disturb the
silence of the night.
Public-domain text, read in full here on John Shaqi.
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