Tramping With a Poet in the RockiesLindsay, Vachel
General
Tramping With a Poet in the Rockies
Lindsay, Vachel
Lindsay, Vachel, 1879-1931; Rocky Mountains -- Description and travel; West (U.S.) -- Description and travel
We cut off the top of the snow with a sharp piece of slate,
And took the purer under-snow to make our coffee,
To make ice-cream:
_Fastidious creatures!_
And then we stood in the snow-hole
And washed with warm water,
And rubbed ourselves all over with handfuls of sloppy snow--
_Disgusting old tramps!_
The discreet birds watched us,
The chipmunks squeaked at us,
You didn’t see us.
[Illustration: THE DOWNWARD WAY]
VI. DIFFERENT WAYS OF GOING DOWNWARD
FOR several days now we did not meet a human being or see evidence of
the existence of one; nor, though continually imagining that we had
found a bit of a trail, did we find either a footstep or a hoof-mark.
“I’ve never been before in a place where you did not see tin cans,”
said Lindsay. “Why, some of the popular canyons of the West are
literally filled with cans. It is not only tourist parties that leave
them, but the cowboys live on canned goods and fill the valley with
their cans.” Another relief is the absence of advertisements, of all
the signs of modern civilisation. You are given without reserve to
America as she was.
“I don’t believe in class war,” says Lindsay, as we turn the corner of
the mountain-wall. “I believe in the war of the mountain and the desert
with the town. Only the deserts and mountains of America can break the
business-hardened skulls of the East.”
He wants me to seek with him the source of the American spirit in the
mountains of the West. However, reality confronts us and not a dream.
We see beyond the wall of the mountain, terrace after terrace and
cascade upon cascade, gleaming upward on a sort of endless stairway. To
the first waterfall we count eight bays of loose stone and shale. We
step from rock to rock, and as my legs are longer this hinders Lindsay
more than it does me. He is all for diagonalising downward, or even
going straight down, and finding an imaginary easier course skirting
the edge of the forest. We, however, try to keep our level, but whether
we wish it or no we slide downward at each uncertain step.
At last we come to a bay of tiny, trickling silt, so steep and smooth
that a glass marble might roll from the top of the mountain to the
bottom. Decent progress along this is impossible, so we decide to
toboggan to the bottom, and seat ourselves on broad, flat stones,
and guiding ourselves with our hands go off at a rare pace for that
imaginary better way at the skirting of the mid-mountain forest. The
device reminds Lindsay of an Indian Government agent who had the task
of supplying the Indians with all they needed on their reservation.
Public-domain text, read in full here on John Shaqi.
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