Tramping With a Poet in the RockiesLindsay, Vachel
General
Tramping With a Poet in the Rockies
Lindsay, Vachel
Lindsay, Vachel, 1879-1931; Rocky Mountains -- Description and travel; West (U.S.) -- Description and travel
How quickly did we leave that hotel with its “stopping over” crowd
behind! In an hour we were in the deep silence of the mountains
encompassed on each side by exuberant pink larkspurs and blanket
flowers and red paint-brush. We clambered upward, ever upward, through
fresh, young, chattering aspens and then green tangled pinewood--and
then also through old dead forests lying in black confusion, uprooted,
snapped, stricken, in heaps like the woods of the Somme Valley. Then
we walked through new dead forests, burned only last year, and then
through brown scorched forests that did not burn, but died merely of
the great heat which their neighbours’ burning had caused.
We stepped from log to log and tree to tree, making for the open
and the light, with the gaiety of troubadours, and Lindsay seemed
romantically happy. I also was happy, and thought of the happy days
before the war, when I tramped in this fashion back and forth across
the Caucasus Mountains and along hundreds of miles of Black Sea shore.
It was pure joy to light the first fire and fry our bacon and make our
coffee in the full effulgence of the sun.
* * * * *
GLACIER NATIONAL PARK, which we passed through first, is a preserve.
It is God’s holy mountain on which no man may shoot. By the laws you
are not allowed even to frighten a bird. You may not carry firearms
into the region. We were therefore not very agreeably surprised to hear
in the thickets the whiz-ping of a gun which some Indians were using.
Lindsay nearly got a shot in the head as he got up from luncheon. The
fact is, Glacier adjoins the Blackfeet Indian reservation, and the
Indians are all hunters by instinct and preference. It is difficult
to restrain them. They are a gay, independent, and wild lot. We saw a
number of these men with an array of plumes round their heads, steel
padlocks in their ears for ear-rings, cow-bells on their sleeves,
and chequer-work embroidery on their gay vests and cloaks. They had
with them their squaws, fat and handsome women, all swollen out and
weather-beaten like fishwives, with high cheek-bones and red-ochre
faces. They danced together and skirled in wild Asiatic strains while
four intent ruffians in ordinary attire beat upon one small drum with
sticks. I seemed to recognise in them some sort of acquaintance to my
old friends, the nomads of Central Asia, the Kirghiz--the same sort of
faces and the same way of being musical. I have had a similar musical
entertainment during weeks and months tramping in Turkestan and Seven
Rivers Land. Both Kirghiz and Indians are dying out and both are red. I
was struck by the feminine expression of the faces of the Indians and
the absence of hair on their lips and chins--as if their males were not
male.
However, we soon left the Blackfeet behind, and came out of their
forests, and in late afternoon stood high above the lovely length of
water which we identified as Medicine Lake.
[Illustration]
Public-domain text, read in full here on John Shaqi.
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