It is a different story that I have to tell of the children decoyed into Hoboland. True, they also are, in a measure, seized with this same _Wanderlust_, and without this it would be impossible for the tramp to influence them as he does; but, on the other hand, without him to excite and direct this passion, very few of them would ever reach trampdom. He happens along at their very weakest moments, and, perceiving his advantage, cruelly fires their imagination with tales of adventure and travel, and before they discover their danger he has them in his clutches. It is really one of the wonders of the world, the power that this ugly, dissipated, tattered man has over the children he meets. In no other country that I have visited is there anything like it. He stops at a town for a few hours, collects the likely boys about him at his hang-out, picks out the one that he thinks will serve him best, and then begins systematically to fascinate him. If he understands the art well (and it is a carefully studied art), he can almost always get the one he wants. Often enough his choice is some well-bred child, unaccustomed, outside his dreams, to any such life, but the man knows so perfectly how to piece out those dreams and make them seducingly real that in a moment of enthusiasm the youngster gives himself up to the bewitching influence and allows the wretch to lead him away. As a rule, however, his victims are the children of the poor, for they are the easiest to approach. A few hours of careful tactics, provided they are in the mood, and he has one of them riding away with him, not merely in the box-car of a freight-train, but on the through train to Hoboland. [Illustration: TELLING "GHOST STORIES."] Watch him at his preliminary work. He is seated on the top of an ash-barrel in a filthy back alley. A crowd of gamins gaze up at him with admiring eyes. When he tells his ghost-stories, each one thinks that he is being talked to just as much as the rest, and yet somehow, little by little, there is a favorite who is getting more and more than his share of the winks and smiles; soon the most exciting parts of the stories are gradually devoted to him alone, but in such an artful way that he himself fails to notice it at first. It is not long, however, before he feels his importance. He begins to wink, too, but just as slyly as his charmer, and his little mouth curls into a return smile when the others are not looking. "I'm his favorite, I am," he thinks. "He'll take me with him, he will, and show me things." He is what the hobo calls "peetrified," which means, as much as anything else, hypnotized. The stories that he has heard amount to very little in themselves, but the way they are told, the happy-go-lucky manner, the subtle partiality, the winning voice, and the sensitiveness of the boy's nature to things of wonder, all combine to turn his head. Then his own parents cannot control him as can this slouching wizard.