Translations from the German (Vol 3 of 3): Tales by Musæus, Tieck, RichterCarlyle, Thomas
General
Translations from the German (Vol 3 of 3): Tales by Musæus, Tieck, Richter
Carlyle, Thomas
German fiction -- Translations into English
He hired the largest looking-glass that he could find, and hung it up in
his room, with such an elevation and direction, that he could distinctly
see whatever passed in the dwelling of his neighbours. Here, as for
several days the watcher did not come to light, the screens by degrees
went asunder; and the broad mirror now and then could catch the form of
the noble maid, and, to the great refreshment of the virtuoso, cast it
truly back. The more deeply love took root in his heart,[3] the more
widely did his wishes extend. It now struck him that he ought to lay his
passion open to the fair Meta, and investigate the corresponding state
of her opinions. The commonest and readiest way which lovers, under such
a constellation of their wishes, strike into, was in his position
inaccessible. In those modest ages, it was always difficult for Paladins
in love to introduce themselves to daughters of the family; toilette
calls were not in fashion; trustful interviews tete-a-tete were punished
by the loss of reputation to the female sharer; promenades, esplanades,
masquerades, pic-nics, goutes, soupes, and other inventions of modern
wit for forwarding sweet courtship, had not then been hit upon; yet,
notwithstanding, all things went their course, much as they do with us.
Gossipings, weddings, lykewakes, were, especially in our Imperial
Cities, privileged vehicles for carrying on soft secrets, and expediting
marriage contracts; hence the old proverb, _One wedding makes a score._
But a poor runagate no man desired to number among his baptismal
relatives; to no nuptial dinner, to no wakesupper, was he bidden. The
by-way of negotiating, with the woman, with the young maid, or any other
serviceable spirit of a go-between, was here locked up. Mother Brigitta
had neither maid nor woman; the flax and yarn trade passed through no
hands but her own; and she abode by her daughter as closely as her
shadow.
[3] [Greek: Apo tou horan erchetai to eran.]
In these circumstances, it was clearly impossible for neighbour Franz to
disclose his heart to the fair Meta, either verbally or in writing. Ere
long, however, he invented an idiom, which appeared expressly calculated
for the utterance of the passions. It is true, the honour of the first
invention is not his. Many ages ago, the sentimental Celadons of Italy
and Spain had taught melting harmonies, in serenades beneath the
balconies of their dames, to speak the language of the heart; and it is
said that this melodious pathos had especial virtue in love-matters;
and, by the confession of the ladies, was more heart-affecting and
subduing, than of yore the oratory of the reverend Chrysostom, or the
pleadings of Demosthenes and Tully. But of all this the simple Bremer
had not heard a syllable; and consequently the invention of expressing
his emotions in symphonious notes, and trilling them to his beloved
Meta, was entirely his own.
Public-domain text, read in full here on John Shaqi.
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