Transmission; or, Variation of Character Through the Mother — John Shaqi
Transmission; or, Variation of Character Through the MotherKirby, Georgiana Bruce
Science
Transmission; or, Variation of Character Through the Mother
Kirby, Georgiana Bruce
Heredity, Human
TRANSMISSION.
TRANSMISSION;
OR,
VARIATION OF CHARACTER
THROUGH
THE MOTHER.
BY
GEORGIANA B. KIRBY
NEW EDITION,
REVISED AND ENLARGED.
NEW YORK:
FOWLER & WELLS, PUBLISHERS,
753 BROADWAY.
1882.
COPYRIGHT, 1877, BY
S. R. WELLS & COMPANY.
INTRODUCTION.
In the following pages it is my wish to impress on women the grave
truth, than which none can have more importance, that with them, with
the mother, rests the greater power to mould for good or ill, for power
or weakness, for beauty or deformity, the characters of her unborn
children, and that with power comes the responsibility for its use.
Laying down a few self-evident propositions I shall illustrate the
same by facts which have come under my own immediate notice during a
period of nearly forty years, simply changing in each case the names of
persons and locality.
The subject is by no means a new or original one. The principles
involved are found scattered throughout all the journals which
embody modern thought, and even find their way, accompanied by much
contradiction, into our lighter literature. Yet it is certainly not
universally understood that on the mother’s state of mind and body
during pregnancy depend such vital interests. The shadow thrown on the
subject by false modesty keeps the masses in ignorance and arrests the
upward progress of the race.
The mother’s office was, and is yet, by the majority held to be a
secondary one and comparatively unimportant. “She merely nourishes the
germ given by the father” is the common supposition. What singular
infatuation is this when anatomy shows that the ova or eggs exist in
the mother, and that the material supplied by the father vivifies them!
In ancient, as well as modern, times it was admitted that during
the period of gestation the mother was keenly sensitive to hideous
impressions, and was through this equal to the production of deformity
and monstrosity. It seems strange that the converse of this did not
suggest itself, so that her sensibility could have been tested for the
creation of beauty and symmetry.
It was also seen that the pregnant woman could affect the temper, the
disposition of her child by yielding to angry emotions, but she was not
credited with the ability to convey a serenity and sweetness of nature
surpassing her own.
Public-domain text, read in full here on John Shaqi.
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