Trapped in 'Black Russia': Letters June-November 1915Pierce, Ruth
History
Trapped in 'Black Russia': Letters June-November 1915
Pierce, Ruth
World War, 1914-1918 -- Personal narratives; World War, 1914-1918 -- Russia
I looked up over the garden-wall. The tree-tops were yellow. While we
had been locked in our room, the season had changed. Autumn was upon us.
I shivered. There was a lavender mist over the city dimming the radiance
of the gold and silver church domes. How beautiful Kiev was! The
church-bells were so mellow-toned; and the children's shrill laughter
and cries as they played in the garden. But it tired me. Every
impression seemed to bruise me.
Peter bought some little Polish cakes, and we had hot tea to cheer us
up--three and four glasses of tea.
Good-night. Sometimes, when I think of you, I don't see all of you, but
instead a particular gesture, or I hear an inflection of voice that is
too familiar to be borne. Now I see mother's hands and they are
beautiful.
RUTH.
_September._
_Dearests:--_
Every day now we go out into the garden. We play ball and play tag in
the wind to get warm.
There is a private hospital at one end of our apartment house, supported
by a wealthy Polish woman. Two or three times a week she visits the
patients, young officers who go out into the garden with her and kiss
her hand and talk and flirt. She sits on a garden-bench surrounded by
her young men, a big woman in black, with a long black veil, talking
vivaciously, using her hands in quick, expressive gestures, patting
their cheeks, leaning forward to give their hands an impulsive squeeze.
When she laughs, which is often, the black line of a mustache on her
upper lip makes the white of her teeth whiter still. The days when she
isn't there, the convalescents flirt with the nurses. There is nothing
horrible about this hospital. The patients are only slightly wounded,
and wear becoming bathrobes when they lounge round.
The window-ledges of the rooms are gay with flowers. Almost always a
phonograph is going, "Carmen," or "Onegin," or "Pagliacci." Sometimes,
Peter and I one-step to the music on the pavement outside, and the
officers and nurses crowd to the windows and clap and cry, "Encore!"
Often, after sundown, when the children have gone indoors, and we go out
for a walk before dinner, we see a patient with a bandage around his
head, perhaps, but both arms well enough to be clasping a pretty nurse
in them. They laugh and we laugh. There is no cynicism about it. It's
bigger than that, it seems to me.
Public-domain text, read in full here on John Shaqi.
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