In most parts of the empire it is also customary for an official, when he receives the seals of office from his predecessor, to have a string of crackers let off at the proper moment. And I must confess to having yielded myself to the pressure of my Chinese assistants in having purchased a few for use at the time we opened our new office at this place. Likewise, when a military official is leaving a post, he is usually accorded a send-off with crackers which have been subscribed for by his men. And thus, from what has gone before, you may catch some idea of the persistency with which the little redskins have poked their noses into almost all the important celebrations of the Chinese life. ------------------------------------------------------------------------ CURIOUS CLOCKS BY CHARLES A. BRASSLER Many of the German cities of the Middle Ages enjoyed great prosperity, which they liked to exhibit in the form of splendid churches and other public buildings; and each one tried to excel the others. When, therefore, in the year 1352, Strassburg was the first to erect a great cathedral clock, which not only showed the hour to hundreds of observers, but whose strokes proclaimed it far and near, there was a rivalry among the rich cities as to which should set up within its walls the most beautiful specimen of this kind. The citizens of Nuremberg, who were renowned all over the European world for their skill, were particularly jealous of Strassburg's precedence over them. In 1356, when the Imperial Council, or Reichstag, held in Nuremberg, issued the Golden Bull, an edict or so-called "imperial constitution" which promised to be of greatest importance to the welfare of the kingdom, a locksmith, whose name is unfortunately not recorded, took this as his idea for the decoration of a clock which was set up in the Frauenkirche in the year 1361. The emperor, Charles IV, was represented, seated upon a throne; at the stroke of twelve, the seven Electors, large moving figures, passed and bowed before him to the sound of trumpets. This work of art made a great sensation. Other European cities, naturally, desired to have similar sights, and large public clocks were therefore erected in Breslau in 1368, in Rouen in 1389, in Metz in 1391, in Speyer in 1395, in Augsburg in 1398, in Lübeck in 1405, in Magdeburg in 1425, in Padua in 1430, in Dantzic in 1470, in Prague in 1490, in Venice in 1495, and in Lyons in 1598. Not all, of course, were as artistic as that of Nuremberg; but no town now contented itself with a simple clockwork to tell the hours. Some had a stroke for the hours, and some had chimes; the one showed single characteristic moving figures, while others were provided with great astronomical works, showing the day of the week, month, and year, the phases of the moon, the course of the planets, and the signs of the zodiac.