From a terrace back of the palace we looked out on a pretty lake where
Eugénie's son used to sail a miniature, full-rigged ship, large enough,
if one could judge from a picture we saw, to have held the little
prince himself. There was still sunlight on the tree-tops, and these
and the prince's pretty pavilion reflecting in the placid water made
the place beautiful. But the little vessel was not there. I wished, as
we watched, that it might come sailing by. I wished that the prince had
never been exiled, and that he had not grown up and gone to his death
in a South African jungle. I wished that he might be back to sail his
ship again, and that Eugénie might be young and have her theater once
more, and that Louis Napoleon's hunting-parties might still gather in
the painted ball-room and fill the vacant palace with something besides
mere curiosity and vain imaginings.
---------------------
We had meant to go to Barbizon, home of the artist Millet, but we got
lost in the forest next morning, and when we found ourselves, we were a
good way in the direction of Melun and concluded to keep on, consoling
ourselves with the thought that Barbizon is not Barbizon any more, and
would probably be a disappointment, anyway. We kept on from Melun,
also, after buying some luncheon things, and all day traversed that
beautiful rolling district which lies east of Paris and below Rheims,
arriving toward evening at Epernay, center of the champagne district.
We had no need to linger there. We were anxious to get to Rheims.
We were still in the hills when we looked on the valley of the Vesle
and saw a city outspread there, and in its center, mellowed and
glorified by seven kindly centuries, the architectural and
ecclesiastical pride of the world, the Cathedral of Rheims. Large as
the city was, that great central ornament dwarfed and dominated its
surroundings. Thus Joan of Arc had seen it when, at the head of her
victorious army, she conducted the king to Rheims for his coronation.
She approached the fulfilment of her mission, the completion of the
great labor laid upon her by the voices of her saints. Mark Twain tells
of Joan's approach to Rheims, of the tide of cheers that swept her
ranks at the vision of the distant towers.
It was the sixteenth of July that Joan looked down upon Rheims, and now
four hundred and eighty-five years later it was again July, with the
same summer glory on the wood, the same green and scarlet in the
poppied fields, the same fair valley, the same stately towers rising to
the sky. But no one can ever feel what Joan felt, can ever put into
words, ever so faintly, what that moment and that vision meant to the
Domremy shepherd-girl.
Public-domain text, read in full here on John Shaqi.
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