The Porte de Paris, too, was eloquent of the fierce days of the
Revolution. The people of Rheims tell how the mob one day came surging
toward it, when the ringleaders proposed that they destroy the gilded
crown upon its apex as the symbol of hated royalty. Then the mayor, a
man of tactful resource, called to the most furious of the band and
asked if he had a ten-sou piece at his service. The man readily passed
it to him, whereupon the mayor at once gave it to a beggar standing
near. "Take it," said he; "Monsieur will have nothing with a crown upon
it." Every one laughed, and the crown on the gate was saved.
Under the wide arch of the Porte de Paris victorious Napoleon entered
after the Prussian occupation of the city in 1814. It was already
nightfall when the fierce battle was fought, and not until eleven
o'clock was Napoleon able to enter the city. What an ovation he
received from the rejoicing citizens--the Remois! It thrilled us to
read it. All at once the great bells of the cathedral thundered forth a
welcome, while at the same time every window in the town was lighted
and a great cry of "_Vive l'Empereur!_" rang from end to end of the
city. The house in the rue de Vesle, where he slept that night, is an
old acquaintance.
If the Porte de Paris seemed old to us and eloquent of the past, what
was to be said of the gray old arch known as the Porte de Mars, that
dated before Christ and "spoke aloud for future times to hear" of the
triumphs of great Cæsar and of the Gallo-Roman days? and what of the
market-place which was once, we were told, the Roman forum? Even in our
time, though all traces of the forum were gone, the market-place was an
ancient-looking square, edged as it was with quaint old buildings,
among them, notably, an elaborately carved wooden house, one of the
most curious specimens of fifteenth century art.
Near by was the old church of St. Jacques. Often we used to steal in to
rest awhile in its rainbow-colored twilight. Not as imposing as the
cathedral, but very lovely nevertheless, it was one of the relics of
the twelfth century. The cathedral, St. Jacques, and the old abbey
church of St. Remi--they have formed for us the beautiful and
impressive backgrounds of many a wedding and funeral and quaint
religious service.
Public-domain text, read in full here on John Shaqi.
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