And so the art tourist goes on till he really knows something about
painting,--even whether he have a taste or no,--and becomes proud of
himself and his subject. That second object of which I have spoken, and
which has reference to the life of the painter, he of course acquires
from books. And it may be remarked that the popularity of this kind of
knowledge has become so strong that much of the information is given
in the ordinary guide-books. We do not much care to know who taught
Christopher Wren to be an architect, or whence Mozart learned the art
of music, or even how Canova became a sculptor. But it is essential to
the art tourist, to the youngest tyro in art touring, that he should
know that Titian was the scholar of Bellini, and Raphael of Perugino,
and Vandyke of Rubens. The little intricacies of the schooling,--how
this man migrated from one school to another, and how the great
pernicious schools of art at last formed themselves, destroying
individual energy,--these come afterwards. But to the diligent art
tourist they do come. And it is delightful to hear the contests on the
subject of art tourists who have formed themselves, one on Kugler and
another on Waagen; who have read the old work of Vasari, or have filled
themselves with a widely-extended mass of art information from the late
excellent book by Mr. Wornum.
The upshot of all this has been the creation of a distinct and new
subject of investigation and study. Men and women get up painting as
other men and women get up botany, or entomology, or conchology, and a
very good subject painting is for the purpose. It is innocent, pretty,
and cheap;--for I take the fact of the tour to be given as a matter of
course. It leads its pursuers to nothing disagreeable, and is as open
to women as to men. And it leads to very little boring of other people
who are not tourists, which, perhaps, is its greatest advantage; for
though the art tourist will sometimes talk to you of pictures, what is
that to the persecution which you are called on to endure in inspecting
cupboards full of pickled snakes or legions of drawers full of empty
egg-shells? The work of an art tourist must at least be more attractive
than the unalluring task of collecting postage-stamps and monograms.
And, above all, let it be remembered that if it so chance that the art
tourist have an eye in his head, he may at last become a lover of art.
Public-domain text, read in full here on John Shaqi.
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