Travels in a Tree-topAbbott, Charles C. (Charles Conrad)
History
Travels in a Tree-top
Abbott, Charles C. (Charles Conrad)
Birds; Natural history -- Outdoor books
It is a merit of our climate that at no time of the year are we, as
children, shut out from healthy out-door pleasure. There are shady nooks
along our creeks and rivers and delightful old mill-ponds wherein we may
bathe in midsummer, and there are acres of glassy ice over which to
skate in midwinter. Spring and autumn are too full of fun to
particularize, the average day being available for scores of methods
whereby to make life a treasure beyond compare, spending it, to the mind
of a boy, in that most rational way, having sport. I do not know why we
always played marbles at one time of the year and flew our kites at
another: this is for the folk-lore clubs to fathom. Suffice it, that
there has been for centuries a time for every out-door amusement as
fixed as the phases of the moon. So much for the sport common to all
boys. And now a word concerning an old-time musical instrument that may
be now quite out of date,—the corn-stalk fiddle.
This very primitive musical instrument is associated with the dreamy
Indian-summer days of late November. Then it discoursed delicious music,
but at other times it would have been “out of tune and harsh.” Did the
Indians give the secret to the children of our colonial forefathers? It
would be a pleasing thought whenever the toy comes to mind, as the mere
suggestion is a pleasant fancy.
The husking over, the corn-stalks carted and stored in a huge rick by
the barn-yard, the apples gathered, the winter wood cut, and then the
long quiet, with almost nothing to do. Such was the routine when I was a
boy, and if the uncertain, dreamy days would only come, there was sure
to be a short round of pleasure wherein the fiddle figured more
prominently than all else.
It was no small part of the fun to see Billy make a fiddle; it was such
a curious combination of mummery and skill. Having whetted his keen,
old-fashioned Barlow knife on the toe of his boot, he would flourish it
above his head with a whoop as though he was looking for an enemy
instead of a corn-stalk. Finding one that was glossy and long enough
between the joints, he would press it gently between his lips, trying
the several sections, and then selecting the longest and most glossy
one. So much of the proceeding was for our benefit, as the cunning old
fellow well knew that it added to his importance in our eyes.
Public-domain text, read in full here on John Shaqi.
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