Travels in China, Containing Descriptions, Observations, and Comparisons, Made and Collected in the Course of a Short Residence at the Imperial Palace of Yuen-Min-Yuen, and on a Subsequent Journey through the Country from Pekin to CantonBarrow, John, Sir
History
Travels in China, Containing Descriptions, Observations, and Comparisons, Made and Collected in the Course of a Short Residence at the Imperial Palace of Yuen-Min-Yuen, and on a Subsequent Journey through the Country from Pekin to Canton
Barrow, John, Sir
China -- Description and travel
It is true certain ancient characters are still extant, in which a rude
representation of the image is employed; as for instance, a circle for
the sun, and a crescent for the moon, but these appear to have been used
only as abbreviations, in the same manner as these objects are still
characterized in our almanacks, and in our astronomical calculations.
Thus also the _kingdom of China_ is designed by a square, with a
vertical line drawn through the middle, in conformity perhaps with their
ideas of the earth being a square, and China placed in its center; so
far these may be considered as symbols of the objects intended to be
represented. So, also, the numerals one, two, three, being designed by
一 二 三, would naturally suggest themselves as being fully as convenient
for the purpose, and perhaps more so than any other; and where the first
series of numerals ended, which according to the universal custom of
counting by the fingers was at _ten_, the very act of placing the index
of the right hand on the little finger of the left would suggest the
form of the vertical cross 十 as the symbol or representation of the
number ten.
I cannot avoid taking notice in this place of a publication of Doctor
Hager, which he calls an "_Explanation of the Elementary Characters of
the Chinese_." In this work he has advanced a most extraordinary
argument to prove an analogy between the ancient Romans and the Chinese,
from the resemblance which he has fancied to exist between the numeral
characters and the numeral sounds made use of by those two nations. The
Romans, he observes, expressed their numerals one, two, three, by a
corresponding number of vertical strokes I. II. III. which the Chinese
place horizontally 一 二 三. The Romans designed the number ten by an
oblique cross X, and the Chinese by a vertical one 十. This resemblance
in the forming of their numerals, so simple and natural that almost all
nations have adopted it, is surely too slight a coincidence for
concluding, that the people who use them must necessarily, at some
period or other, have had communication together. The Doctor however
seems to think so, and proceeds to observe, that the three principal
Roman cyphers, I. V. X. or one, five and ten, are denoted in the Chinese
language by the same sounds that they express in the Roman alphabet.
This remark, although ingenious, is not correct. _One_ and _five_, it is
true, are expressed in the Chinese language by the _y_ and _ou_ of the
French, which it may be presumed, were the sounds that the letters I.
and V. obtained in the ancient Roman alphabet; but with regard to the
_ten_, or X, which, he says, the Chinese pronounce _xe_, he is entirely
mistaken, the Chinese word for _ten_ in Pekin being _shee_, and in
Canton _shap_. This error the Doctor appears to have been led into by
consulting some vocabulary in the Chinese and Portuguese languages; in
the latter of which the letter X is pronounced like our _sh_. But
Public-domain text, read in full here on John Shaqi.
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