Travels in China, Containing Descriptions, Observations, and Comparisons, Made and Collected in the Course of a Short Residence at the Imperial Palace of Yuen-Min-Yuen, and on a Subsequent Journey through the Country from Pekin to CantonBarrow, John, Sir
History
Travels in China, Containing Descriptions, Observations, and Comparisons, Made and Collected in the Course of a Short Residence at the Imperial Palace of Yuen-Min-Yuen, and on a Subsequent Journey through the Country from Pekin to Canton
Barrow, John, Sir
China -- Description and travel
_A Barrel drum sometimes of Wood & sometimes Metal._
_A Log of Wood shaped like a Skull and used in Temples._
_A Metal Bell._
_A Lyre of silken Strings._
_A small Flute._
_A Muffled Drum._
_The Metal Gong or Loo_
_Cymbals._
_Uncertain_
_A Pair of Rattles or Castanets._
_Cymbals struck with a rod._
_Alommon Flute._
_Two Stringed Violins_
_A Three Stringed Guitar._
_A Pipe of inequal reeds or bamboos._
_Four Stringed Guitars._
_Three Trumpets._
_A Lyre of 11 Metallic Strings._
_Metal Plates an Instrument used in Sacred Music._
_A small barrell Drum._
_A fixed Drum used in Sacred Music._
_A small Gong or Loo._
_Published May 10^th, 1804 by Cadell and Davies Strand._
_Neele sc. Strand_]
A Chinese band generally plays, or endeavours to play, in unison, and
sometimes an instrument takes the octave; but they never attempt to play
in separate parts, confining their art to the melody only, if I may
venture to apply a name of so much sweetness to an aggregation of harsh
sounds. They have not the least notion of counter-point, or playing in
parts: an invention indeed to which the elegant Greeks had not arrived,
and which was unknown in Europe as well as Asia, until the monkish ages.
I never heard but one single Chinese who could be said to sing with
feeling or plaintiveness. Accompanied with a kind of guittar, he sung
the following air in praise of the flower _Moo-lee_, which it seems is
one of the most popular songs in the whole country. The simple melody
was taken down by Mr. Hittner, and I understand has been published in
London, with head and tail-pieces, accompaniments, and all the refined
arts of European music; so that it ceases to be a specimen of the plain
melody of China. I have therefore given it in its unadorned state, as
sung and played by the Chinese, together with the words of the first
stanza, and their literal translation.
[Music: MOO-LEE-WHA.
I.
1 2 3 4 5
_Hau ye-to sien wha,_
6 7 8 9 10 11 12 13
_Yeu tchau yeu jie lo tsai go kia_
14 15 16 17 18 19
_Go pun tai, poo tchoo mun_
20 21 22 23 24 25
_Twee tcho sien wha ul lo._
II.
1 2 3 4 5 6
_Hau ye to Moo-lee-wha_
7 8 9 10 11 12 13 14
_Man yuen wha kai soy poo quee ta_
15 16 17 18 19 20
_Go pun tai tsai ye ta_
21 22 23 24 25 26 27
_Tai you kung kan wha jin ma._
_Literal Translation._
I.
1 2 3 4 5
How delightful this branch of fresh flowers
6 7 8 9 10 11 12 13
One morning one day it was dropped in my house
14 15 16 17 18 19
I the owner will wear it not out of doors
20 21 22 23 24 25
But I will hold the fresh flower and be happy.
II.
1 2 3 4 5 6
How delightful this branch of the _Moo-lee_ flower
7 8 9 10 11 12 13 14
In the full plot of flowers blowing freely none excels it
Public-domain text, read in full here on John Shaqi.
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