This idea of the Emperor accords with a remark made by one of his ministers, who came to see the portrait of His Britannic Majesty, "that it was great pity it should have been spoiled by the dirt upon the face," pointing, at the same time, to the broad shade of the nose. Ghirrardini, an European painter, published an account of his voyage to China, where, it appears, he was so disgusted that, having observed how little idea they possess of the fine arts, he adds, with rather more petulancy than truth, "these Chinese are fit for nothing but weighing silver, and eating rice." Ghirrardini painted a large colonnade in vanishing perspective, which struck them so very forcibly that they concluded he must certainly have dealings with the Devil; but, on approaching the canvas and feeling with their hands, in order to be fully convinced that all they saw was on a flat surface, they persisted that nothing could be more unnatural than to represent distances, where there actually neither was, nor could be, any distance. It is scarcely necessary to add any thing further with regard to the state of painting in China. I shall only observe, that the Emperor's favourite draughtsman, who may of course be supposed as good or better than others of the same profession in the capital, was sent to make drawings of some of the principal presents to carry to his master, then in Tartary, as elucidations of the descriptive catalogue. This man, after various unsuccessful attempts to design the elegant time-pieces of Vulliamy, supported by beautiful figures of white marble, supplicated my assistance in a matter which he represented as of the last importance to himself. It was in vain to assure him that I was no draughtsman; he was determined to have the proof of it; and he departed extremely well satisfied in obtaining a very mean performance with the pencil, to copy after or cover with his China ink. Every part of the machines, except the naked figures which supported the time-piece and a barometer, he drew with neatness and accuracy, but all his attempts to copy these were unsuccessful. Whether it was owing to any real difficulty that exists in the nice turns and proportions of the human figure, or that by being better acquainted with it we more readily perceive the defects in the imitation of it, or from the circumstance of the human form being concealed in this country in loose folding robes, that caused the Chinese draughtsman so completely to fail, I leave to the artists of our own country to determine: but the fact was as I state it; all his attempts to draw these figures were preposterous.