As to those specimens of beautiful flowers, birds, and insects, sometimes brought over to Europe, they are the work of artists at Canton where, from being in the habit of copying prints and drawings, carried thither for the purpose of being transferred to porcelain, or as articles of commerce, they have acquired a better taste than in the interior parts of the country. Great quantities of porcelain are sent from the potteries to Canton perfectly white, that the purchaser may have them painted to his own pattern: and specimens of these bear testimony that they are no mean copyists. It has been observed, however, that the subjects of natural history, painted by them, are frequently incorrect; that it is no unusual thing to meet with the flower of one plant set upon the stalk of another, and having the leaves of a third. This may formerly have been the case, from their following imperfect patterns, or from supposing they could improve nature; but having found that the representations of natural objects are in more request among foreigners, they pay a stricter attention to the subject that may be required; and we found them indeed such scrupulous copyists, as not only to draw the exact number of the petals, the stamina, and pistilla of a flower, but also the very number of leaves, with the thorns or spots on the foot-stalk that supported it. They will even count the number of scales on a fish, and mark them out in their representations, and it is impossible to imitate the brilliant colours of nature more closely. I brought home several drawings of plants, birds, and insects, that have been greatly admired for their accuracy and close colouring; but they want that effect which the proper application of light and shade never fails to produce. The coloured prints of Europe that are carried out to Canton are copied there with wonderful fidelity. But in doing this, they exercise no judgment of their own. Every defect and blemish, original or accidental, they are sure to copy, being mere servile imitators, and not in the least feeling the force or the beauty of any specimen of the arts that may come before them; for the same person who is one day employed in copying a beautiful European print, will sit down the next to a Chinese drawing replete with absurdity. Whatever may be the progress of the arts in the port of Canton, they are not likely to experience much improvement in the interior parts of the country, or in the capital. It was the pride rather of the monarch, and of his ministers, that made them reject the proposal of Castaglione to establish a school for the arts, than the apprehension, as stated by the missionaries, that the rage for painting would become so general, as to be prejudicial to useful labour.