Thirty distinct places of residence for the Emperor, with all the necessary appendages of building to each, for lodging the several officers of state, who are required to be present on court days and particular occasions, for the eunuchs, servants, and artificers, each composing a village of no inconsiderable magnitude, are said to be contained within the inclosure of these gardens. These assemblages of buildings, which they dignify with the name of palaces, are, however, of such a nature as to be more remarkable for their number than for their splendour or magnificence. A great proportion of the buildings consists in mean cottages. The very dwelling of the Emperor and the grand hall in which he gives audience, when divested of the gilding and the gaudy colours with which they are daubed, are little superior, and much less solid, than the barns of a substantial English farmer. Their apartments are as deficient in proportion, as their construction is void of every rule and principle which we are apt to consider as essential to architecture. The principal hall of audience at Yuen-min-yuen stood upon a platform of granite, raised about four feet above the level of the court. A row of large wooden columns surrounding the building supported the projecting roof; and a second row within the first, and corresponding with it (the interstices between the columns being filled up with brick-work to the height of about four feet) served for the walls of the room. The upper part of these walls was a kind of lattice-work, covered over with large sheets of oiled paper, and was capable of being thrown entirely open on public occasions. The wooden columns had no capitals, and the only architrave was the horizontal beam that supported the rafters of the roof. This, in direct contradiction to the established mode in European architecture, was the uppermost member of what might be called the entablature or frize, which was a broad skreen of wood, fastened between the upper part of the columns, painted with the most vivid colours of blue, red, and green, and interlarded with gilding; and the whole had net-work of wire stretched over it, to prevent its being defiled by swallows, and other birds frequenting human dwellings. The length of this room within was one hundred and ten feet, breadth forty-two, and height twenty feet: the ceiling painted with circles, squares, and polygons, whimsically disposed, and loaded with a great variety of colours. The floor was paved with grey marble flag stones laid chequer-wise. The throne, placed in a recess, was supported by rows of pillars painted red like those without. It consisted entirely of wood, not unlike mahogany, the carving of which was exquisitely fine. The only furniture was a pair of brass kettle-drums, two large paintings, two pair of ancient blue porcelain vases, a few volumes of manuscripts, and a table at one end of the room on which was placed an