Burckhardt, John Lewis, 1784-1817; Nile River Valley -- Description and travel; Nubia -- Description and travel
The cella is fifteen paces in length, by nine in breadth, and
projects several feet into the pronaos, thus forming, as it were, an
insulated chamber in the midst of the temple, a mode of construction
which I observed at Dakke, and afterwards at Philæ: two low columns
stand within the cella. In the adytum are the remains of columns,
lying on the ground, the only instance of the kind I have seen
in any Egyptian temple: in its walls are some low dark recesses,
and windows or loop-holes like those in the temple at Tintyra: its
roof is formed of single blocks of stone reaching the whole breadth,
and upwards of three feet in thickness. There is a chamber behind
the adytum, as at Dakke, and communicating with it by two doors;
the roof has fallen in, but it may be seen that this chamber was
lower than the adytum, and had a chamber over it. In the walls of
this chamber are several cells, or recesses, each of which forms
two small apartments, one behind the other, divided by a narrow
entrance, and just sufficiently large to hold one person; they
are closed in front by a stone, which may be removed at pleasure;
and were, perhaps, prisons for refractory priests, or places of
probation for those who aspired to the priesthood; the persons who
were placed in them may be literally said to have been shut up in
the wall, as there is not the slightest appearance of any recess
being there, when the stones which close the outer entrance are in
their places. I observed a hollow stone in the interior of one of
them, but I am not certain whether it was a sarcophagus or not.
The walls of the cella and adytum are covered with painted figures,
the colours of which still remain tolerably perfect, more so than
those at Philæ, owing to a coat of plaister having been laid upon
the walls by the Greeks, to receive the paintings of their saints;
but which has for the most part fallen off; the colours generally
used are red, blue, green, and black. The hawk-headed Osiris,
with a staff in one hand, is painted of a light green colour,
some females, holding the lotus in their hands, are quite black;
the variously coloured striped robes of the Osiris with a tiara
on his head have a most gaudy appearance; the hair, in general,
of all the figures is painted black, though in some it is blue; the
spaces between the different figures are covered with hieroglyphics,
painted red. On the lower part of the side walls of the adytum are
single human figures, each with an animal by its side, generally
an ox, a gazell, or a goose. The exterior walls of the temple are
covered with sculptures of colossal figures, like those at Tintyra
and Edfou; though not so large: they are rudely executed, and by no
means correspond with the beauty of the sculpture on the interior
of the chambers. Heads of sphinxes project from the walls, as at
Tintyra; through which perhaps the priests delivered their oracles.
Public-domain text, read in full here on John Shaqi.
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