Travels in Southern Europe and the Levant, 1810-1817: The Journal of C. R. Cockerell, R.A.Cockerell, C. R. (Charles Robert)
History
Travels in Southern Europe and the Levant, 1810-1817: The Journal of C. R. Cockerell, R.A.
Cockerell, C. R. (Charles Robert)
Cockerell, C. R. (Charles Robert), 1788-1863; Europe -- Description and travel; Middle East -- Description and travel
[38] Since excavated at the cost of the Prussian Government.
CHAPTER XIII
BACK INTO CIVILISATION--NASLI BAZAR--NYSA--GUZUL--HISSAR (MAGNESIA)--THE
PLAGUE--AISALUCK (EPHESUS)--SCALA NUOVA--A STORM--SAMOS--PRIENE--CANNA--
GERONTA--KNIDOS--RHODES--MR. NORTH AGAIN--SAILS FOR PATARA--CASTEL
ROSSO--CACAVA--MYRA--THE SHRINE OF ST. NICOLAS--TROUBLES WITH NATIVES--A
WATER SNAKE--FINICA--CAROSI--OLYMPUS--VOLCANIC FIRE--PHASELIS--FALLS
IN WITH THE _FREDERIKSTEEN_.
"Two days' riding down the river brought us to Nasli Bazar, which is
within the government of Karasman Oglu, and the fact was at once
perceptible. Greeks were numerous and impudent, trade flourishing, and
the bazaar full of all kinds of merchants. It is the great mart for the
interior. I had to pass the night in a wretched khan. In the chamber
adjoining mine was a slave merchant with two young negresses, one of
whom had a child for sale, and also a fine young negro.
I followed the valley of the Meander to Sultan Hissar. On the way I went
up a steep ascent to see the ruins of Nysa. They stand on an elevated
plain over the river, and command a grand view and good air above the
malarious bed of the Meander and its bordering marshes. There is first
of all a large agora, with traces of temples in or around it. Further
on, in the side of the mountain, is a very considerable theatre, with
the remains of the proscenium and apartments for actors &c. on all
sides. Seated in the theatre one had a glorious view of the senate house
and prison, with the amphitheatre beyond, and the bridge which spans a
gully in one magnificent arch. All these buildings are in a grandiose
style, very impressive, and made all the more so by their absolute
solitude. In Nysa was but one man, a shepherd, who had taken up his
abode in one of the arches of the theatre.
Public-domain text, read in full here on John Shaqi.
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